Father and I

New and dynamic dance theatre work explores South African fathers

A newly created dance theatre work, Father & I, uses personal stories, dance, song, and music to explore the relationships between South African fathers and their children. This dynamic fusion of real life stories is created between the Windybrow Arts Centre’s Kwasha! Theatre Company, The Market Theatre and Moving into Dance, and will premiere over a limited season of four performances at the Market Theatre at the end of November.

The multi-award-winning Greg Homann, Artistic Director at The Market Theatre Foundation, directs this vibrant work, while Moving into Dance’s Artistic Director, Sunnyboy Motau, choreographs it. The original music that accompanies the stories is by Bongile Lecoge–Zulu.

This interdisciplinary work  that combines song, dance and personal testimony creates a theatrical experience aimed at acknowledging the complexity and beauty of fatherly relationships, with all its imperfections.

In light of the concerning statistics about fatherlessness, which affects 60% of South Africa’s children, Father & I offers a warm and nuanced take at what it means to be a father in contemporary South Africa. The performance is delivered with humour, care and empathy, aimed at facilitating understanding, reconciliation and love.

Father & I is a work that appreciates that fathers are first and foremost human, and human beings are complicated.

The show aims to present a balanced and honest narrative that celebrates fathers who are “getting it right”, while rolling out a bandage to those who have been wounded by disappointment and abandonment. The artistic treatment creates an empathetic space that has the potential to lead audiences to a place of honest conversations about healing the father wound, reconciling broken families and inspiring a new generation of fathers to break an all too familiar destructive cycle.

Choreographer, Sunnyboy Motau, says the dance theatre work attempts to show fatherhood in all its complexity, especially in a country like South Africa, where the role requires added resilience, courage, vulnerability and responsibility.

Director, Greg Homann, adds, “Starting with the personal narratives of the actors and dancers involved, Father & I weaves stories of absence and presence, identity, inherited roles, support, and notions of masculinity. Each artist shares their experiences, highlighting the challenges of these bonds—the joys, the struggles, and the fatherly moments that define them. These heartfelt stories invite the audience to reflect on their own relationships with their fathers, sparking dialogue about love, belonging, the act of providing and the deep yearning for connection.”

Don’t miss this new work that will shift your perspective about fatherhood in a daringly heart-stirring way. Tickets via Webtickets start from R150.

ENDS

For enquiries, please contact Bongiwe Potelwa (Publicist at the Market Theatre Foundation) at bongiwep@markettheatre.co.za or 011 832 1641.

For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development) at AnthonyE@markettheatre.co.za or 083 246 4950/081 572 9612.

Ndilapha

Join us for a magical night as Nomfundo Xaluva takes us on a journey with the launch of her third and long-awaited album "Ndilapha"

Nomfundo Xaluva is back with her 3rd studio album independently recorded and produced between 2023-2024. Titled Ndilapha which means “I am here” in isiXhosa, this project’s intention is to express the various manifestations of presence through song.

Having last released an album in 2015, Xaluva’s recorded music has and continues to stand in the gap for her during periods of physical absence from the stage. After years of writing, learning and listening, she returns to the stage to launch Ndilapha, a body of work consisting of songs she has penned over the last decade.

This album is a culmination of experiences which include loss, re-birth, motherhood, black womanhood, love, and legacy. With 9 out of the 10 songs written by Xaluva, it is her fervent hope that through her songwriting she can contribute meaningfully to the (re)creation of spaces for black women to reflect and celebrate themselves authentically without the pressures of hyper visibility often pursued through reductionist meanings of presence. “In a milestone year for me, this album is the perfect reminder to myself that I am here, in my way and I am enough”.

Lala Ngenxeba

Lala Ngenxeba/ Of Love and Revolution (PG 14)

Sobukwe-inspired play examines love as the centre of revolution

To commemorate the hundredth anniversary of Robert Sobukwe’s birth on 5 December 2024, The Market Theatre has commissioned a new play, Lala Ngenxeba/Of Love and Revolution, which aims to introduce audiences to the life and times of the former PAC leader through critical historic moments alongside his prison letters to his wife, Veronica Sobukwe

The play will open on 14 November 2024 in the Barney Simon Theatre as part of the KAZA KAMBA Pan-African Theatre Festival. It will then run beyond the festival until 8 December 2024, closing the week of Sobukwe’s birthday.

Lala Ngenxeba/Of Love and Revolution sets out to show how Sobukwe’s love-centred response to oppression fuelled his fighting spirit against oppression and racial injustice. It examines love as a driving force of the revolution and a way of practising freedom while in bondageThe brand new play, written by award-winning playwright Monageng ‘Vice’ Motshabi, focuses on Sobukwe’s relationship with his wife through their letters, prison visits and everyday life in Kimberley, Northern Cape, where the couple lived.

 

The struggle for freedom, as well as the evolution of strategies of responding to apartheid and its escalating violence, are seen through Sobukwe’s connection to family, friends and fellow prisoners. Robert Sobukwe died of lung cancer in 1978. He was the founding member of the ANCYL and later first president of the PAC. As an academic, lawyer and organiser, Sobukwe was a staunch proponent of pan-Africanism, and devoted his whole life to the liberation of the oppressed African majority. 

Some of the defining events central to the play include the Sharpeville Massacre, life at various prisons leading up to ‘the Sobukwe Clause’, Robben Island as well as life in Kimberly where he worked as a lawyer and community icon. The production makes use of orality and multiple-point-of-view-storytelling, monologues, satire, song and excerpts from some of Sobukwe’s favourite poems as they appear in his letters. Employing orality depicts Sobukwe’s love for storytelling, while emphasising his deep-rooted identity as a pan-Africanist.

The play carries a humanising motif, carefully portraying struggle heroes as ordinary people who, in addition to their revolutionary and moral courage against oppression, still found deep meaning in the pursuit of simple pleasures. It provokes reflections on the impact of colonialism and apartheid on the black family, as seen not only through the migrant labour system and land dispossession, but also the imprisonment, exile and killing of freedom fighters.

Greg Homann, Market Theatre Foundation’s Artistic Director, holds that Lala Ngenxeba/Of Love and Revolution is a much-needed telling of our country’s liberation stories in this 30th year of our democracy, calling on us to rethink how we remember, honour and teach Sobukwe. “Sobukwe is a giant who played an important role in shaping South Africa, but his contribution is diminished in the public imagination of post-struggle South Africa. Staging this commemorative play is consistent with the Market Theatre’s unwavering commitment to being at the forefront of telling African stories with boldness, using the power of culture to agitate, inform and entertain,” outlines Homann.

The production is directed by Palesa Mazamisa. The cast is Pulane Rampoana, Zizana Peteni, and Katlego ‘Kaygee’ Letsholonyana who, throughout the play, move between narration and the voicing of various characters, including Sobukwe, in a way that grapples with a complex life and legacy.

Lala Ngenxeba/Of Love and Revolution offers an audience a moment to consider the philosophical and political importance of one of South Africa’s great struggle-leaders.

Do not miss this production at The Market Theatre. It runs from 13 November to 8 December 2024, with reduced price tickets at R100 over the KAZA KAMBA Pan-African Theatre Festival until 17 November. All tickets across the run are available via Webtickets.

For enquiries, please contact Bongiwe Potelwa (Publicist at the Market Theatre Foundation) at bongiwep@marketheatre.co.za or (011) 832 1641.

For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development) at AnthonyE@markettheatre.co.za or 083 246 4950 or Mamello Khomongoe mamellok@markettheatre.co.za 0815729612.

Kaza Kamba Pan African Theatre Festival 

Kaza Kamba PAN AFRICAN FESTIVAL

NEW FESTIVAL EXPLORES PAN AFRICANISM IN THE ARTS

The inaugural Kaza Kamba Pan African Theatre Festival will be held at The Market Theatre from 14 to 17 November 2024 in Johannesburg.

This new partnership between mehlo-maya (eye-to-the-sun) and The Market Theatre will deliver a four-day festival of theatre, music, workshops, film screenings, and talks curated by Bobby Rodwell and Lesego Rampolokeng.

Seven southern African countries will be represented through the events. The objective of this cross-border festival is to invite artists from SADC countries to share creative projects and ideas, network, and strengthen ties between the countries while giving audiences an opportunity to immerse themselves in the stories of our region.

The official opening is on Thursday 14 November, beginning with an interactive Installation designed by Sne Zwane and Sankara, entitled Dear Mr Sobukwe, which will be opened by leading Pan Africanist, Daves Guzha – Zimbabwean theatre Producer and Director. 

This will be followed by the premiere-performance of Lala Ngenxeba/Of Love and Revolution, a brand new play written by award-winning playwright Monageng ‘Vice’ Motshabi that sets out to show how Sobukwe’s love-centred response to oppression fuelled his fighting spirit against oppression and racial injustice. The weekend that follows will be a hive of activities including a music show, theatre and dance workshops, theatre productions, and a colloquium.

Mogorosi meets Rampolokeng in MoRa at the Kaza Kamba Pan African Theatre Festival on Friday 15 November 2024, starting at 19h30. MoRa brings together drummer Tumi Mogorosi and performance poet Lesego Rampolokeng with a music ensemble directed by Mogorosi. The ensemble includes Cecilia Phetoe (Vocals); Sibongile Mollo (Vocals) Themba Maseko (Vocals); Dalisu Ndlazi (Tuba); Lebogang Komane (Trumpet); and Gontse Makhene (Percussion).

Molly Street is a play told by the townsfolk of Chiredzi in Zimbabwe which can be seen on the Saturday or Sunday. Molly is murdered by her boyfriend in the 1960s and for the next 70 years her spirit visits the town. Recently, the town council renames a street Molly Street but is everyone happy? The production includes well known Zimbabwean actress Chidochangu Jo Anne Tenga and musician Patrick Tembo. It is written and directed by Peter Churu.

For enquiries, please contact Bongiwe Potelwa (Publicist at the Market Theatre Foundation) at bongiwep@marketheatre.co.za or (011) 832 1641.

For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development) at AnthonyE@markettheatre.co.za or 083 246 4950 or Mamello Khomongoe mamellok@markettheatre.co.za 0815729612.

MoRa - Kaza Kamba Pan African Theatre Festival (16+)

Mogorosi meets Rampolokeng in MoRa at the Kaza Kamba Pan African Theatre Festival on Friday, 15 November 2024, starting at 19h30pm.

MoRa brings together Tumi Mogorosi and Lesego Rampolokeng with music ensemble directed by drummer Mogorosi.

The ensemble includes Cecilia Phetoe (Vocals); Sibongile Mollo (Vocals) Themba Maseko (Vocals); Dalisu Ndlazi (Tuba); Michael Nkuna (Trumpet); and Gontse Makhene (Percussion). Poet Lesego Rampolokeng delivers his public lecture aptly named ‘Writing The Ungovernable’.

MoRa is essentially the meeting of different generations of artists still musing on the fundamental freedom question, which is an absolute must within the current upheaval of world politics.

For enquiries, please contact Bongiwe Potelwa (Publicist at the Market Theatre Foundation) at bongiwep@marketheatre.co.za or (011) 832 1641.

A Vos do Tambor – Scream of the Drums: Kaza Kamba Pan African Theatre Festival (All Ages)

A Vos do Tambor – Scream of the Drums is a unique music experience that breaks the boundaries of performer and spectator.Well-known Mozambican multi-instrumentalist traditional musician, Vintani Nafasse, performs with two actors, Horacio Zacarias Mazuze and Rafael Michel Vilanculos, where the audience become both performers and spectators. The show performs on Saturday and Sunday

Films on offer include a documentary on the Democratic Republic of Congo with a discussion with the Congo Support Campaign, and Skulls of My People, a film by Vincent Moloi about the Namibian genocide between 1904 – 1907 which is coupled with a discussion with Moloi and Namibian lawyer Nyoko Muvangua.

Workshops include a range of topics from ‘How Do I take an Idea to Production’ by Mahlatsi Mokgonyana, ‘I am Pan Africanist. But Am I? And how does it affect my art’ by Zandi Radebe of BlackKollective, a dance workshop by Madagascan choreographer Gaby Seranouffea, and a workshop in Traditional Batswana Music and Storytelling by Tefo Paya and Thabang Molefe, and many more.

A special Colloquium on Pan Africanism ends off the Festival on Sunday 17 November. 

 

‘CHALLENGING THE EURO/WESTERN LENS IN THEATRE AND THE ARTS’ will include discussant Khutjo Green and speakers Vuyisile Mushudulu and Joaquim Matavel.

All documentary films and workshops are FREE, but booking is essential via WhatsApp on 0662070003. Tickets for plays and music shows can be bought through Webtickets. There will be delicious southern African cuisine on sale served by Bitten Foods.

Come and join us at The Market Theatre from 14 to 17 November for a weekend of live performances, film, workshops, and debate on Pan Africanism. Everyone welcome!

 ENDS

For enquiries, please contact Bongiwe Potelwa (Publicist at the Market Theatre Foundation) at bongiwep@marketheatre.co.za or (011) 832 1641.

For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development) at AnthonyE@markettheatre.co.za or 083 246 4950 or Mamello Khomongoe mamellok@markettheatre.co.za 0815729612.

Molly Street (All Ages)

Molly Street is the story of a street named in honour of a sex worker murdered in the town 70 years before. But is everyone happy about it? In the 1960s, Molly escapes child marriage and arrives in Chiredzi, southern Zimbabwe. She works as a sex worker until in a jealous rage Molly’s boyfriend murders her. Molly’s spirit returns and has walked the streets of Chiredzi ever sinceA powerful team of Zimbabwean artists present Molly Street on stage at the Kaza Kamba Pan African Theatre Festival.

Molly Street is the story of a street named in honour of a sex worker murdered in the town 70 years before. Is everyone happy with this decision? In the 1960s, Molly escapes child marriage and arrives in Chiredzi, southern Zimbabwe.

She works as a sex worker until in a jealous rage Molly’s boyfriend murders her. According to the townsfolk Molly’s spirit returned and has walked through the streets of Chiredzi ever since. Zimbabwean actress Chidochangu Jo Anne Tenga brings Molly to life on stage with live music provided by Patrick Tembo. Written and directed by well-known director Peter Churu, Molly Street is on at the Kaza Kamba Pan African Theatre Festival.

 

For enquiries, please contact Bongiwe Potelwa (Publicist at the Market Theatre Foundation) at bongiwep@marketheatre.co.za or (011) 832 1641.

For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development) at AnthonyE@markettheatre.co.za or 083 246 4950 or Mamello Khomongoe mamellok@markettheatre.co.za 0815729612.

Call Us Crazy

CALL US CRAZY
(All Ages)

CALL US CRAZY (All Ages)

The award-winning comedy is ‘black’ by popular demand at the Market Theatre. Call Us Crazy is essentially a hilarious comedy that sees South Africans laughing at themselves.

The satirical theatre gives flash-glimpses of South African life in the townships, urban and rural areas, unconvincing parliamentary debates, corruption in government and more uniquely South African scenarios, in a humorous manner. On the driving seat of this leg of the run, is a stellar award-winning all-female cast playing multiple roles with ease.

Featuring: Khutjo Green, Momo Matsunyane & Noko Maboya. Fast-paced, multi-conventional and full of pun and intended meaning, Call Us Crazy tells the story of a disillusioned road construction worker, Auntie, whose mission is to tar all the roads in the world.

Having worked for the same construction company over 27 years, Auntie breaks ranks with her colleagues, Half-Half and Amper-Baas, in a huff after concluding that they work for an ungrateful and chauvinistic employer.

While Auntie’s dream to tar the world sounds like an impossible and idiotic idea, a finer line of an ambitious character emerges as she succeeds in opening her own construction company, which she aptly calls Vuka! Africa Road and Paving Construction Company. Will she reach her dream, or will it be a bumpy ride filled with potholes?

 

 

COO

Chief Operations Officer

Market Theatre Foundation appoints Lekgetho Makola as the new Chief Operations Officer
 
The Market Theatre Foundation (MTF) is pleased to announce the appointment of Lekgetho Makola as its new Chief Operations Officer (COO), effective from 15 October 2024.Makola brings with him a wealth of experience in the sector.
 
His tenure as the first CEO of the Javett Art Centre at the University of Pretoria distinguished him as an innovative leader who managed to steer the centre through post-COVID recovery by strengthening organisational resilience, inspiring innovation and promoting the transdisciplinary arts.
 
Makola is not new to the MTF, having  been the Head of the Market Photo Workshop, one of the Foundation’s business units. Prior to heading the business unit, he was its manager for programmes and projects. 
 
A graduate of Howard University MFA Film Studies and a Fellow of the Yale Directors Forum for Cultural Preservation in Africa, he has also had successful stints in different capacities at cultural institutions such as the Durban Art Gallery and the Robben Island Museum, among others.
In his new role, Makola will lead and direct the operational activities of the MTF with the aim of achieving the strategic objectives, policies and goals established by the CEO and Council. Furthermore, he will provide direction and leadership, as well as oversee the MTF’s daily operations to deliver on its mandate, while directing the work of the heads of departments falling under his portfolio.
 
Market Theatre Foundation CEO, Tshiamo Mokgadi, described Makola’s return to the institution as a tremendous boost, adding that he fits perfectly into its vision of being a cultural complex for all things theatre, music, dance and the visual arts. 
“I look forward to a great partnership with Mr Makola as we navigate South Africa’s constantly changing artistic and cultural landscape,” Mokgadi said.
 
ENDS
For enquiries, please contact Bongiwe Potelwa (Publicist at the Market Theatre Foundation) at bongip@marketheatre.co.za or (011) 832 1641.

Elzabé Zietsman: Vier Panado’s en ‘n Chardonnay’

Elzabé Zietsman: Vier Panado’s en ‘n Chardonnay’ 

 

The Market Theatre prescribes Vier Panado’s en ‘n Chardonnay The Market Theatre, Drama Drama and Zietsies Restaurant proudly present Vier Panado’s en ‘n Chardonnay, an award-winning cabaret by legendary performer, Elzabé Zietsman. Its performances are scheduled every Thursday for four weeks, starting from 24 October 2024, at the Market Theatre’s newly refurbished Gramadoelas space. In the cabaret, Zietsman is accompanied by exceptional pianist and music director, Tony Bentel, a long-standing collaboration that brings together these stage veterans with nearly 100 years of combined experience. The show consists of a diverse repertoire of songs spanning Weimar-era cabarets, stripped-down renditions of contemporary hits and a few original compositionsis seamlessly woven with personal stories. Vier Panado’s en ‘n Chardonnay is an edgy work of honesty and critical reflection, laced with humour, through which Zietsman narrates her real life story in celebration of her own resilience, and that of her fellow South Africans. The 75-minute cabaret entertains while unpacking multiple adversities such as the kleptocracy robbing the country blind, crime, unemployment and other social ills. Zietsman recognises our courageous ability to produce positive outcomes despite our country’s challenges, as illustrated by the collective joy we feel when our athletic and artistic excellences are showcased on world stages. “Resilience is not just the ability to bounce back from adversity, but also refers to the capacity to adapt to a changing environment.

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In today’s world, we need it more than ever, and Vier Panado’s en ‘n Chardonnay is a celebration of South Africans’ resilience and our ability to laugh at ourselves (and others),” Zietsman says. For its brilliant narrative and musical performance, the production won a Kanna Award for Best Offering: Music at the 2024 Klein Karoo Nasionale Kunstefees (KKNK). It is also nominated for Best Achievement: Contemporary Music – Solo/Duo at the recent 2024 Woordfees, and has received two nominations at Aardklop for Best Music Performance and Best Music-Driven Production. The cabaret is the first in a series of upcoming programming of the recently refurbished and repurposed Gramadoelas space at the Market Theatre, which can now offer an alternative space for intimate gatherings alongside its core theatre experience. Greg Homann, Artistic Director at the Market Theatre Foundation, described the decision to use Gramadoelas as a deliberate move to reactivate the space and diversify the Market Theatre’s value offering. Homann shares, “Staging this wonderful piece of work at the Gramadoelas is the next step towards the regular use of the venue as a multi-functional space. It’s part of the new energy we have injected into our offering, ensuring that we give our audiences experiences that go beyond our dedicated theatre venues.” So, each Thursday from 24 October – 14 November 2024, bring all the headaches unique to being South African to the Market Theatre for your prescription of Vier Panados en ‘n  Chardonnay, written with sharp comedy and biting satire. Tickets via Webtickets cost R400 including dinner prepared from Elzabé Zietsman’s restaurant, Zietsies, or at R200 excluding food.ENDS

Zwakala Festival

‘Fatherhood’
by Alex Theatre Company and Academy - Zwakala Festival

Follow the heart- wrenching story of four young boys, raised by single mothers, struggling to comprehend the void left by their absent fathers. As they navigate the challenges of growing up in broken homes, they grapple with emotional turmoil and distorted views of masculinity. FATHERHOOD delves into the complex issues surrounding absent fathers in our communities, exposing the emotional scar that linger.

‘Pieces of a Woman’
by Mimo and Many More Productions - Zwakala Festival

Join Nomathemba Khumalo on her poignant journey, as she leaves her homeland with her beloved to chase a brighter future in the city. Beneath the glittering façade, their love is tested by harsh realities. ‘’PIECES OF A WOMAN’’ is a powerful exploration of one woman’s unyielding strength, a journey of love, loss and resilience, celebrating the strength of women who rise above adversity.

‘Mollo’
by Army of God - Zwakala Festival

Meet Mollo, a young soccer sensation with a passion to win the prestigious 30th Soccer Challenge. As the son of a traditional healer, Mollo’s life is intertwined with ancient customs and spiritual forces. When he meets his soulmate, their love seems destined. However, their families’ century-old feud, rooted in spiritual rivalry, threatens to tear them apart. Embracing his destiny, Mollo discovers hidden strengths. With his dreams within reach, Mollo must balance his ancestral heritage and soccer stardom. Will he find harmony between his two worlds?

‘Kgetsi’
by Art is Creative Forum - Zwakala Festival

This poignant drama follows the interconnected lives of four women, each grappling with the lasting impacts of childhood trauma: shattered self-identity and unrelenting emotional scars. In a courageous quest for justice, they take stand, sharing their heart- wrenching stories. Will the law provide solace, or will it perpetuate the cycle of pain? “KGETSI’’ explores the complex intersection of trauma, identity and the pursuit of justice.

Sikelela… the road to the Barbican

Sikelela… the road to the Barbican
(No under 18s)

Due to circumstances beyond our control, Sikelela… The Road to the Barbican has been postponed to Saturday 9 November 2024. Unfortunately, Thandi Ntuli and Keenan Meyer are on tour and won’t be able to join us for the new date, so we have invited some amazing friends to join us: Maleh, Buhlebendalo, Bokani Dyer & Andile Yenana and Litsomo.

All previous tickets remain valid, if you cannot make the new date and/or would like a refund please call the Market Theatre box office. Thank you for your understanding and we look forward to seeing you at Sikelela on Saturday 9 November 2024

Sikelela celebrates a tradition of Ingoma as a practice in the intimate exercise of liberation in action.  

The line-up is curated by The Brother Moves On’s Siyabonga Mthembu and pianist, composer, singer Thandi Ntuli.

Taking the cue from the word Sikelela meaning “blessing” – from the first phrase in the South African national anthem – this event celebrates a tradition of Ingoma as a practice in the intimate exercise of liberation in action. This special concert invites the visionaries from the current scene which is referred to as the avant-garde of the Jazz and live music scene from South Africa.

Opening the Matinee show we have Litsomo – a collaborative project featuring your favourite indie folk storytellers Leomile, Muneyi and Kekelingo. Bokani Dyer and Andile Yenana in duo format, will showcase the beauty of keys and synths. Closing out the matinee show we have The Brother Moves On featuring Tumi Mogorosi and Malcolm Jiyane. The matinee show is PG friendly, so parents bring your kids for a musical blessing.

For the evening show we will open with the soilsista force that is Buhlebendalo, moving into The Brother Moves On featuring Tumi Mogorosi, Malcolm Jiyane and Zu. and we will close the show with the Musical Queen of Maseru Maleh.

Matinee – Doors 15:00

Opening Act: Litsomo

Second Act: Bokani Dyer & Andile Yenana

Closing Act: The Brother Moves On featuring Tumi Mogorosi and Malcolm Jiyane

Evening – Doors 19:00

Opening Act: Buhlebendalo

Second Act: The Brother Moves On featuring Tumi Mogorosi, Malcolm Jiyane and Zu.

Closing Act: Maleh

The show is proudly produced by Akum Agency and The Dig with support by The Department of Sports, Arts & Culture and SAMRO. We look forward to seeing you at the Market Theatre on Saturday 9th November 2024 for Sikelela… The Road To The Barbican.

Media interviews: jess@akumagency.com

SOCIAL MEDIA
Instagram Handles of the Promoters: @akumagency @thedig_za

Facebook Event: https://www.facebook.com/events/546615411106667/

Kwasha!

kwasha!

CALL FOR APPLICATIONS: 2025 KWASHA! THEATRE COMPANY

CALL FOR APPLICATIONS: 2025 KWASHA! THEATRE COMPANY

The Market Theatre Foundation is excited to announce a call for applications for the Kwasha! Theatre Company for 2025. We invite passionate and innovative theatre makers to apply for this enriching opportunity.

Kwasha! was launched in 2018 in partnership with Windybrow Arts Centre, and Market Theatre Laboratory as a theatre company project that seeks to develop theatre practitioners in South Africa.

Kwasha! is a theatre company that gives a year’s worth of professional experience to emerging actors, as well as a stipend and professional exposure to enable space and time for young practitioners to develop skills and capacities towards being professionals in the sector.

Eligibility Criteria:

  • Must have graduated from a reputable institution within the last five years
  • Must be under the age of 35
  • Must be a South African citizen

 How to Apply: To apply, please submit a PDF version of your CV and a motivation letter to windybrow@markettheatre.co.za by 31st October 2024.

 Audition Process:

  • Shortlisted applicants will be required to submit a video audition by 17th November 2024.
  • Final auditions will take place in person from 3rd – 5th December 2024.