Dr Mbongeni Ngema: This is my story

Dr Mbongeni Ngema: This is my story

A much-anticipated documentary on the life and times of acclaimed theatre-maker, musician and writer, Dr Mbongeni Ngema, is set to premiere at The Market Theatre on Saturday, 30 May 2026.  Themed “Celebrating South African Heroes and Heroines”, the screening will honour the legacy of Dr Ngema as a powerful voice that spoke courageously against an oppressive regime. This moment occurs as the country marks 50 years since the June 16, 1976 Student Uprisings as well as the 50th anniversary of The Market Theatre, key historical developments bearing profound significance for post-struggle South Africa.

The documentary, which began filming as a rehearsal in 2020 in Dr Ngema’s Johannesburg home, turned out to be the last opportunity for the producers to record his life story, as he passed away in December 2023.

Although Dr Ngema narrates the greater part of the film, he is supported by interviews with other greats, the likes of former president Nelson Mandela, longest serving ANC President OR Tambo, entrepreneur Richard Maponya, legendary musician Sipho ‘Hotstix’ Mabuse, international actor Dr John Kani, music composer Quincy Jones and actress Whoopi Goldberg. “Stimela saseZola” backing vocalist Mandisa Dlanga and “Sarafina” actresses Khanyo Maphumulo, Leleti Khumalo, Velephi Mnisi and Sonto Khumalo also lend their insights to make the work richer.

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The documentary goes deep into situations and incidences that shaped Dr Ngema’s life. It begins with him taking us back to the youngest memory he has about his life, which was in deep rural Zululand, sitting in front of a fire with his grandmother, who told him heroic stories about his ancestors. Dr Ngema believes it was those stories which embedded in him the talent for storytelling. From these humble beginnings, Dr Ngema went on to become an internationally acclaimed playwright, choreographer, composer and actor. Some of his notable works include plays such as “Woza Albert”, the Tony-nominated “Asinamali”, the award-winning “Sarafina”, as well as African hit song “Stimela saseZola”, to name a few.

In the documentary, Dr Ngema takes us through the rollercoaster journey of his life, inviting us into the ups and downs that refined him, and the challenges and victories that hoisted him to iconic status. But more preciously, he takes us behind the scenes on the thinking and situations behind some of his greatest works.

This work has already won Best Documentary Feature Film at the Simon Mabhunu Sabela Film and Television Awards and at the Umlazi International Film Festival. It has been officially selected at three International Film Festivals, namely Mashariki in Kigali, Abibitumi in Accra and the Joburg Film Festival in Johannesburg. Additionally, it has also been screened for a select audiences, including schools.

 As a concept, “This is my story” is a series of self-narrated documentaries of South African Icons telling their own stories. It is produced and directed by Lindani Mbense, a former broadcaster at the SABC.

The Market Theatre Foundation Welcomes the Appointment of Its New Council

The Market Theatre Foundation Welcomes the Appointment of Its New Council

The Market Theatre Foundation (MTF) is pleased to announce that the Minister of Sport, Arts and Culture, Hon. Gayton McKenzie, has appointed new members to its Council in terms of Section 5(1)(a) of the Cultural Institutions Act (Act 119 of 1998).

The newly appointed Council is legislatively mandated to provide oversight and strategic direction in the implementation of the institution’s bold creative vision.

This appointment comes at a significant moment in the MTF’s history, as The Market Theatre, one of its main artistic hubs, celebrates 50 years of fearless storytelling this year. The collective expertise of this Council covers a wide range of critical competencies, spanning governance, law, research, artistic practice, community engagement and more that are integral to the success of the organisation.  

As The Market Theatre Foundation looks ahead to many more years of intentional partnerships, artistic excellence, cultural representation and community impact, we welcome the skills set the new Council comes with.

The Market Theatre’s year-long anniversary celebration will be filled with compelling productions, exhibitions, conversations and community engagement projects that will honour our past, energise our present and build on the re-imagination of our future.

The nine-member MTF Council is constituted as follows:

  • Florence Masebe – Chairperson
  • Siphe Potelwa
  • Nalini Maharaj
  • Francois Smit
  • Rami Chuene
  • Mamollo Monica Miya
  • Venessa Pretorius
  • Shenay Lottering
  • Bernedette Muthien

Tshiamo Mokgadi, Chief Executive Officer of The Market Theatre Foundation, extends her best wishes to the newly appointed Council members and looks forward to a meaningful and collaborative term ahead.

ENDS.

The Market Theatre Foundation is an agency of the Department of Sport, Arts and Culture.

For media enquiries, please contact Bongiwe Potelwa (Publicist at The Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

Afropocalypse

Afropocalypse

Imaginative and Allegorical Play – Afropocalypse – Returns to Jo’burg

The award-winning production “Afropocalypse” returns to Jo’burg after a critically acclaimed run at the 2025 National Arts Festival, where it won the festival’s highest Fringe accolade—the Standard Bank Gold Ovation Award. Running at The Market Theatre from 19 November – 7 December 2025, this energetic and hugely imaginative production follows the journey of a group of storytellers in an apocalyptic setting as they share their fables of hope and resilience.

We’re all used to apocalyptic imaginings, but what would an apocalypse in the African context look like? How would its survivors tell the story as they rise from the ruins?

Directed by Daniel Buckland, “Afropocalypse” was originally produced by The Market Theatre Laboratory as their student production in 2024. It played to sold-out runs at The Ramolao Makhene Theatre, becoming a hit and instant favourite for audiences. The fourteen-strong ensemble now present the work in their professional debut in the Mannie Manim Theatre at The Market Theatre. The brilliantly entertaining work uses physical comedy and tragic magic realism to paint a vivid and vibrant picture of the past, present and speculative future. The stories they tell are inspired by a myriad of South African voices, from Credo Mutwa to Jan Rabie, to our shared collection of modern South African myths and fables, all interwoven in a comical tapestry of catastrophe and release.

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“This is a mischievous and vibrant look at South African society through the lens of all the weird and wonderful ways it could come to an end. The show uses dynamic and joyous ensemble storytelling, with bucket loads of physical comedy, puppetry and storytelling, to paint a vivid picture of the fallibility of humankind, as well as the resilience and creativity of the human spirit. The story leans into joy and tragedy. The idea of an apocalypse is a dark subject matter and framing, the story itself is not only about that. It’s a fun, silly platform to poke fun at contemporary society and take all the delicate bits of South Africa and satirise them,” explained Buckland.

Greg Homann, Artistic Director at The Market Theatre Foundation, said staging the production is an opportunity to celebrate the journey it has gone on, highlighted by winning the highest accolade in the National Arts Festival fringe programme – the Standard Bank Gold Ovation Award. Homann further stressed that the show is a family-friendly offering perfect for winding down after a long year.

Homann adds, “This is a show young and old should look forward to watching. Its youthful energy combined with imaginative storytelling make for an entertaining, relaxing treat best enjoyed with loved ones and in groups. It’s a wonderful work, with an impressive balance of dark and more bleak moments mixed in with joy and hope.”

If you are craving theatre that’s out of this world, then “Afropocalypse” is here for that. Travel to a time yet to come and immerse yourself in stories untold.

Tickets are available on Webtickets starting from R110, with special discounts for the preview performance, for groups of four or more, and with all Wednesdays at half-price.

Affordable, safe and secure underground parking is available at the Newtown Junction.

                                                                                                                                                   ENDS.

The Market Theatre is a Division of The Market Theatre Foundation, an agency of the Department of Sports, Arts and Culture.

 For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development) at AnthonyE@markettheatre.co.za or 083 246 4950.

For media enquiries, please contact Bongiwe Potelwa (Publicist at the Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

THIS IS WHO I AM

THIS IS WHO I AM

British High Commission and Windybrow Arts Centre present 

London Artists Projects

THIS IS WHO I AM

South African premiere

This Is Who I Am is a theatrical journey into Hillbrow and beyond, a place where history and present collide with contradictory illusions and dreams of a mercurial South Africa. A storied, yet troubled inner-city area of Johannesburg, Hillbrow remains a safe harbour for an ever-changing mix of iconoclasts.

Imbued with all the power and the passion of deeply personal real-life stories, ten Hillbrow artists and participants express the truth of their lived experience in their own five-hundred-word monologue in response to the title. Lives of abuse, alienation, disability, violence, and xenophobia connect in a mosaic of hope and resistance that demands justice and the right to a better future. 

This Is Who I Am is an ongoing multidisciplinary, intercultural arts platform featuring live and online performances, photo portraits, exhibitions, workshops and dialogue between artists from London Artists Projects in the UK and Windybrow Arts Centre in Hillbrow, South Africa.

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Launching as part of the G20 Culture Ministerial in South Africa, This Is Who I Am is part of UKwithSA cultural exchange and the British High Commission’s commitment to diversity and equality by drawing on the transformative power of the arts to contribute to wider access and inclusion in collaboration with local partners.

This Is Who I Am is the companion work to Jeremy Goldstein’s Truth to Power Café. Both works are inspired by the political and philosophical beliefs of Nobel Prize winning playwright Harold Pinter and his inner circle, The Hackney Gang, who included Jeremy’s late father, Mick Goldstein, and poet and actor Henry Woolf, whose original poetry bejewels the work.

“Revolutionary theatre at its best and most direct” 

Guardian on Truth to Power Café

This Is Who I Am is a London Artists Projects and Windybrow Arts Centre co-production commissioned by British High Commission South Africa with support from Canon South Africa 

Hillbrow artists and participants:

Gcebile Dlamini, Simphiwe Dube, Reneilwe Leopeng, Tshiyeya Kalombo, Minenhle Masina, Hlengiwe Masondo, Thabang Matsaung, Sandiso Mbatha, Tyson Nkala, Caleb Nyanguila

Artistic team:

Created by Jeremy Goldstein for London Artists Projects

Original score by DYSKINETIC

Co-directed by Jeremy Goldstein and Jaden Mmokwa Oratile Mosadi

Media Editor Flick Harrison 

Photo Portraits by Roger Machin and Quintin Mills 

Videography by Presley Mpofu and Sandile Daniel Radebe

Sound Recordist Tumelo Mosenogi

Behind the Scenes Photography by Kopano Lebotse

Dramaturgy and Workshop Facilitation Stacy Hardy (Creative Writing, Wits University)

Script Consultant Chris Thompson

Executive Producer 

Dr Sarah Meisch Lionetto, MBE 
Public Diplomacy – Head of Arts, Culture & Sports
British High Commission, South Africa
 

Performances contain stories of lived experience that include trauma, political stances and adult themes. 

Audience age: 14+ – parental guidance recommended

Photo: Roger Machin and Quintin Mills

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Kaza Kamba Pan African Theatre Festival returns to the market for its 2nd reiteration

Kaza Kamba Pan African Theatre Festival Returns to The Market for its 2nd iteration

The Market Theatre and mehlo-maya (eye-to-the-sun) have once again partnered for the four-day festival of theatre, music, workshops, film screenings and talks, curated by Bobby Rodwell and Lesego Rampolokeng. This dynamic new festival, which takes place from 06 – 09 November 2025, brings together the arts and the political discourse.

The festival features seven Southern African countries, making it a very critical cross-border initiative aimed at strengthening ties between countries. Again, it gives audiences an opportunity to immerse themselves in the stories of our sub-region.

An installation speaking to the history of Pan Africanism opens on Thursday, 04 September in The Market Theatre’s Lindelani Buthelezi Gallery, setting the tone for the festival.

Mainlining at the festival is “Lyrics Unchained on website / webtickets”, in which South Africa meets Zimbabwe meets Lesotho in a blend of poetry and percussion, featuring poets Matodzi Ramashia (Makhafula Vilakazi) from South Africa, Mercy Dhliwayo (sista x) from Zimbabwe, naledi chai (zeph) South Africa and Lesotho’sThabiso Mohapeloa (Tha Hymphatic Thabs). Musicians Louis Mhlanga (Guitar) and Gontse Makhene (Percussion) join the production, hosted by poet Lesego Rampolokeng.

BUY TICKETS BELOW:

Kaza Kamba Festival LYRICS UNCHAINED : https://www.webtickets.co.za/event.aspx?itemid=1577437811

Kaza Kamba Festival Setimo Juramento: https://www.webtickets.co.za/event.aspx?itemid=1577431186

Mozambican Producer Joaquim Matavel of Grupo de Teatro Girassol brings “Setimo Juramento / Seventh Oath”, written by Paulina Chiziane and directed by Ramadane Matusse. Paulo Jamine plays a character who traverses dark worlds in search of a new global identity – one that offers wellbeing, social justices and love – through storytelling, poetry and movement, offering provocations for a better world. The piece is in Portuguese, with English sub-titles.

Workshops over the four days include a performance dance workshop, “Barena: Reimagined” by Smangaliso Ngwenya, “Finding My Voice, Speaking My Truth”, Directing for Theatre by Liatile Mohale of Lesotho, a dance workshop on gender based violence, “Still We Dance” by choreographer Gaby Saranouffi from Madagascar, the Somatic Library workshop on voice by Mpho Malesa and Gifter Ngobeni, and “gubhu seNtshomi (Djembe of Stories)”. There will also be a workshop for young people, facilitated by Sibusiso ‘Vonde-r’ Fihlani, and one for the very young, our Baby Corner, for adults who wish to attend workshops or films.

 

Our films are: “Soundtrack to a Coup d’Etat” [2024], a film by Johan Grimonprez that examines the political machinations behind the 1961 assassination of Congolese leader, Patrice Lumumba and “Dying for Gold” [2018] that focuses on the impact of Gold Mining in the SADC region, produced by Richard Pakleppa and Catherine Meyburgh. There will be panel discussions with the screenings of both documentaries.

A film showing and discussion on the situation in Sudan will be held by members of Sudanese solidarity groups.

The Kaza Kamba Colloquium this year will be held on Saturday, 08 November 2025, “Decolonising the Theatre Space” to be presented by Warona Seane, who will engage with theatre producers from the sub-region.

Our late evenings will be spent at our Kaza Kamba Pavement café in The Market Theatre Precinct, with music and an open mic and lots of lovely food and drink to purchase.

In short, there is a lot to see, experience and debate at Kaza Kamba Pan African Theatre Festival 2025.

All documentary films and workshops are FREE. Tickets for our play and “Lyrics Unchained” are on Webtickets.

There will be food and drinks for sale throughout the day, as well as stalls with books and other delights.

Come down to The Market Theatre from 06 – 09 November 2025 for a weekend of live performances, film, workshops and debate on Pan Africanism. Everyone is most welcome!

                                                                                                                    -ENDS –

For enquiries, please contact Bongiwe Potelwa (Publicist at The Market Theatre Foundation) at bongiwep@marketheatre.co.za or (011) 832 1641.

For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development) at AnthonyE@markettheatre.co.za or 083 246 4950 or Mamello Khomongoe mamellok@markettheatre.co.za 0815729612.

Pride Month at The Market Theatre Kippies Fringe

Pride Month at The Market Theatre Kippies Fringe

Paint-On-Stage Productions in association with The Art Cave and The Market Theatre Kippies Fringe present ‘The Queer In The Queue’, a bold and intimate portrait of queer love in the face of rejection and red tape by Jason Wheeler, starring performer Luke Ness playing multiple characters.

The play runs from 2 – 5 October 2025 at 19:30pm, with two matinees at 3:30pm over the weekend in the 50-seater fringe venue.

Curated by The Art Cave in celebration of Pride Month, ‘The Queer In The Queue’ follows a newly married gay man trying to change to a new name; one name that changes everything. “In this deeply moving and sharply humorous solo performance, a gay man sits in the dreaded Home Affairs queue, paperwork in hand, ready to change his surname to that of his beloved husband. But what begins as a bureaucratic chore becomes a heartfelt excavation or memory, identity, and family. As he inches forward in the line, the protagonist unpacks his complicated-relationship with his father, the scars of homophobia, and the bittersweet triumph of reclaiming his name, not just legally, but emotionally and spiritually,” explains writer and director, Jason Wheeler.

Staged with innovative intimacy, the audience is seated in a U-shape formation, mimicking the very queue our character finds himself in. With no fourth wall to hide behind, the audience becomes the other citizens in line, witnessing his story unfold step by step. In the centre of this space lies memory itself, a performance zone where the character relives moments from his life with poignancy and poetic insight. 

Wheeler – an emerging playwright – brings his  wit, nuance and emotional range to this highly personal work. Following the acclaim of his previous works, ‘The Marvellous Mr Moffie’, ‘4:59’ and ‘Birds of a Feather’, Wheeler continues to explore queer identity, vulnerability and the pursuit of dignity with unflinching honesty. In 2024, Wheeler was appointed Associate Playwright at The Market Theatre and won the STAND (Sustaining Theatre and Dance Foundation) Global South Playwright Competition.

The play’s solo performer, Ness, recently graduated with distinction from the University of Witwatersrand, and has numerous roles under his belt, including Hally in Fugard’s ‘Master Harold and the Boys’, Gigi in ‘Bobo Eats Sand’ and Doctor A in the absurdist piece, ‘The Patient’.

Presented during The Art Cave’s Pride and Identity Spotlight this October, ‘The Queer In The Queue’ is more than a play about changing a surname; it’s about changing the story we tell ourselves, and finding freedom in the truth of who we are. “In many ways, queer lives are suffocated by a bureaucracy that turns a blind eye on the many queers in the queue looking for dignity. There’s no better way to mark Pride Month than tackling real issues facing the queer community in an entertaining yet meaningful way, which is what this play offers,” says The Art Cave, curators of The Market Theatre Kippies Fringe.

Tickets for the 5 performances are available on Webtickets for R100.

ENDS

Kippies Fringe is an initiative of The Market Theatre, curated by Art Cave.

The Market Theatre is a Division of The Market Theatre Foundation, an agency of the Department of Sports, Arts and Culture.

For media enquiries, please contact Bongiwe Potelwa (Publicist at The Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

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Bold and Provocative Work Spotlights Queer Love

Bold and Provocative Work Spotlights Queer Love

Unheard and often suppressed Queer voices are set for their moment of truth, as Vuyelwa Maluleke presents her bold, visceral poem-in-chorus – ‘The Blue Album’ – at The Market Theatre Kippies Fringe. Written and performed by Vuyelwa Maluleke, the show will run at Kippies for a total of five performances, from 21 – 24 August 2025.

 ‘The Blue Album’ fuses poetry, monologue, movement and choral voice to stage an intimate portrait of Queer life and love in the township of Makaleng. It traces the homecoming of Khumo, a young Lesbian woman, as she confronts the afterlife of a traumatic incident and the piercing silence of her community.

Maluleke navigates the complex terrain of public erasures and private reckonings, offering a story that is as lyrically tender as it is politically defiant, disrupting societal norms of love and who deserves it. The work further reimagines the meaning of love, reclaiming it from the often commercialised romance and relocating it in community.

 

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As this new piece dares to centre Black Queer love and survival in spaces where it is often unwelcome, it arrives at the key question: What is left behind when home becomes the mouth of a man? With profound urgency and agency, the piece navigates  the borders of love and danger, memory and survival. Weaving intimate monologues with the public silences of township life, Maluleke exposes with aching precision the slow violence’s Black Queer Women endure.

“This piece is an attempt to make visible the revolutionary remedies of Black Queer love. I wanted to write something that would not only testify to Khumo’s survival, but sing of its sweetness and cast back the light of all of us. This is a ritual. A return. A resistance,” explains Maluleke.

Maluleke is an actor, lecturer and writer with an MA in Creative Writing (with distinction) from Rhodes University, and a BA in Dramatic Arts from the University of Witwatersrand. A runner-up for the 5th Gerald Kraak Prize, Maluleke was also shortlisted for the Kelsey Street Press QTBIPOC Prize for the manuscript ‘Falling Toward the Centre’ (2021) as well as The Sillerman First Book Prize for ‘The Blue Album’ manuscript (2021).

Again, she was a semi-finalist in the Boston Annual Poetry Contest (2020), and has worked with directors such as Sylvaine Strike, James Ngcobo and Jo Bonney. Her most notable performances are from the television production of ‘Shreds and Dreams 2’ and national touring theatre productions of ‘Tartuffe’ and ‘Emotional Creature: it’s a girl thing’.

ENDS.

Kippies Fringe is an initiative of The Market Theatre, curated by Art Cave.

The Market Theatre is a Division of The Market Theatre Foundation, an agency of the Department of Sports, Arts and Culture.

For media enquiries, please contact Bongiwe Potelwa (Publicist at The Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

For reduced price block bookings of 10 or more and school groups, contact Anthony Ezeoke (Audience Development Specialist at The Market Theatre Foundation) at anthonye@markettheatre.co.za or 083 246 4950.

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Breakfast with Mugabe

Breakfast with Mugabe

“Breakfast with Mugabe” is a National Arts Festival, The Market Theatre and Festival Enterprise Catalyst (FEC) co-production, in association with the Calvin Ratladi Foundation. This gripping psychological thriller is directed by Calvin Ratladi, 2025 Standard Bank Young Artist for Theatre.

It is set in the final years of Robert Mugabe’s rule in Zimbabwe. Inspired by real events, Fraser Grace’s award-winning play explores the troubled mind of the once-revered leader as he battles inner demons and political paranoia. Haunted by a malevolent spirit, Mugabe reluctantly seeks the help of a white psychiatrist, leading to a tense and dangerous power struggle. Following its South African premiere at the National Arts Festival, this riveting production comes to The Market Theatre, delving into themes of power, fear, and the ghosts of history. Directed by Calvin Ratladi, with a brilliant cast and searing dialogue, “Breakfast with Mugabe” offers a chilling glimpse into the psyche of a man clinging to control. Don’t miss this compelling drama that resonates far beyond Zimbabwe’s borders.

The Festival Enterprise Catalyst (FEC) project is a joint initiative by the National Arts Festival, Nasionale Afrikaanse Teater-inisiatief (NATi), Concerts SA, SAMRO, Woordfees, Aardklop, Suidoosterfees, KKNK and the Tribuo Fund with support from the Jobs Fund and contributing funding from Standard Bank South Africa.

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Phakamisa Dance Commission

Phakamisa Dance Commission

This is a National Arts Festival, The Market Theatre and JOMBA! Dance Festival (Centre for Creative Arts) co-production, with contributing funding from Standard Bank South Africa. It is choreographed by Asanda Ruda, 2025 Standard Bank Young Artist for Dance and recipient of the 2025 CCA JOMBA! and The Market Theatre Phakamisa Dance Commission. Asanda Ruda is presented as part of a double bill at the Market Theatre Foundation

Titled the Phakamisa Dance Commission – with reference to the isiZulu idea of lifting up and holding – this joint commission is an ongoing commitment to the illustrious JOMBAand The Market Theatre partnership – started in 2023 to grow and support South African dance. As an extension of JOMBA@ The Market, the second instalment of the innovative joint commission will be presented by this year’s recipient, Soweto-born Asanda Ruda.

The two dance pieces taking the stage are:

KEMET – Black Lands: A solo work that traverses generational alienation, political defiance, and personal emancipation. Rooted in Afro-contemporary expression, it navigates the intersections of space, politics, and culture, transforming the body into a vessel of ancestral memory and self-liberation. Ruda’s movement affirms presence in a world that often marginalises difference.

Alkamal Walkamal Almutlaq or Completeness and Absolute Wholeness (ancient Arabic), explores the eternal bond between spirit and soul. It delves into how these elements interconnect to heal and revive. Ethereal Afro-contemporary movement and symbolic rituals invite audiences to contemplate love, health, and balance.

The commission aims to support and make space for innovative and provocative South African dance makers. For one week only, this is a chance for audiences to see the work of one of South Africa’s most exciting dance-makers.

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Barber Shop Chronicles (PG)

Barber Shop Chronicles

It’s time to cheat on your barber as Barber Shop opens in Johannesburg

All men will be free this November to cheat on their barber and never regret it, as The Market Theatre ends the year with staging the renowned “Barber Shop Chronicles” for the first time on African soil. Brilliantly written by Nigerian-born British playwright, Inua Ellams, the international-hit play is directed by Sibusiso Mamba. 

It will run from 6 – 30 November 2025 in the John Kani Theatre.

The play chronicles six barbershops across the cities of Johannesburg, Harare, Kampala, Lagos, Accra as well as London. It’s an insightful exploration of masculinity, vulnerability and connection. Ellams explains, “The narrative unfolds over a single day, connecting the lives and stories of African men. These barbershops serve as sanctuaries where men gather not just for haircuts but for camaraderie, debate and solace, exploring themes of identity, fatherhood, history, relationships, culture, race and masculinity. It also offers a poignant and humorous exploration of the African diaspora experience.”

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Having been loved by audiences internationally, the play’s African premiere marks a surreal moment for Ellams. “The Market Theatre,” he says, “is every progressive theatre-maker’s dream venue. To have my work not just staged on the African continent but at this iconic institution is an honour I wouldn’t have imagined possible. I’m greatly excited for the future ahead, hopeful that this premiere will be the beginning of the production’s intra-Africa tour.”

This highly anticipated piece unmasks men in their complexities, showing barbershops as integral communities in which connection and correction mutually thrive. While culturally prejudiced gazes may have framed barbershops as problematic, chaotic and misogynistic, the play offers an unapologetic counter-framing that highlights the safety, honesty and comedy characterising these spaces.

The play enthusiastically shows barbershops across Africa as dynamic spaces uniquely designed for black men to try make sense of their world, with barbers going beyond crafting eye-catching crispy fades and becoming unofficial therapists, football analysts and relentless comedians, in the process creating unbreakable brotherhood. This charged atmosphere turns the old rule about never cheating on your barber into more than loyalty to the one holding the clippers—it defines the barbershop as a space where a man leaves looking and feeling transformed. The refreshing sense of newness shines through the haircut as it is noticeable in the change of perspective, neatly trimmed by razor-sharp engagements with peers. It’s an unmistakable feeling of having let go of a burden and embracing change.

Director, Sibusiso Mamba, describes the work as a pan-African and diasporic celebration of black masculinities in their various ways of being. “This play confronts the often repeated notion that men don’t have platforms where they can really talk, making a strong case for the babershop as a space for men’s gatherings. The fact that men talk in a language often times misunderstood by the world doesn’t mean there’s no talking happening. Just as no two men’s hair is identical or needs the same cut, the script acknowledges the difference and sensitivity in each one of us and the different forms of masculinity that exist. Barbershops can therefore be sanctuaries that allow men to pour out their hearts, find fellowship and crack jokes without care of societal expectations,” concludes Mamba.

Greg Homann, Artistic Director at The Market Theatre Foundation, is chuffed to programme this powerful and electric theatre piece on the John Kani Stage by one of the leading contemporary playwrights in the world.

“For us, this production deepens our ongoing commitment of being the home of African storytelling by programming works that not only focus on local issues, but the broader continent as well. Arriving at a time of harmful narratives against African immigrants, the play’s infectious humour, witty writing and edgy drama will act as a much needed balm to sooth us into the end of 2025. We’re in a phase of boldly reaffirming the kind of work that we’ve always been known for throughout our nearly 50 years of fearless existence as South Africa’s cultural cornerstone.”

Book your “Barber Shop Chronicles” today and immerse yourself in the energy that fills barbershops. This is the only time you won’t regret cheating on your barber!

Tickets are available on Webtickets starting from R170. Half-price Wednesdays and special discounts for groups (four or more) also apply.

Safe and affordable underground parking available at Newtown Junction.

ENDS

The Market Theatre is a Division of The Market Theatre Foundation, an agency of the Department of Sports, Arts and Culture.

For media enquiries, please contact Bongiwe Potelwa (Publicist at The Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

For reduced price block bookings and school groups, contact Anthony Ezeoke (Audience Development Specialist) at AnthonyE@markettheatre.co.za or 083 246 4950.