Hey Hillbrow! Let’s Dlala! 2024

Hey Hillbrow! Let’s Dlala! 2024

Imaginary Lines - None are free until all are free.

This year Hey Hillbrow! Let’s Dlala! will take place on Africa Day, the 25th May 2024.

The parade started in 2016, an event for Hillbrow, initiated by the late super-heroine Lesley Perkes, who had dreams for this place that others have continued to manifest. We continued in 2017 and 2018 and then relaunched the event on Human Rights Day in 2022. Last year, we invited Kyla Davis (Well Worn Theatre) Tamzyn Botha (Shade) and Daniel Buckland to curate and manage the 2023 iteration of the street procession in collaboration with the Kwasha! Theatre Company as part of our Africa Month Festival. 

This year under the creative direction of Tamzyn Botha and Daniel Buckland the streets around Windybrow will come alive to celebrate the theme of Imaginary Lines – None are free until all are free. 

Hey Hillbrow! Let’s Dlala! is a parade of fabulous public performances bringing joy, play and wonder to the streets of Hillbrow on Africa Day, 25 May 2024. Emphasising the connections made with various local community organisations, artists and participants.

Five wonderful facilitators, namely Daniel Buckland, Exotically Divine, Sinenhlanhla Mgeyi, Khathala Nkomo and Andrew Wispa worked alongside Kwasha! Theatre Company with community groups Lefika La Phodiso, Gcebile Dlamini Foundation and Johannesburg Society for the Blind, Fight with Insight, Innovation of Excellence and Dlala Nje. Months of work curating costumed performances and curated happenings that drew inspiration from our theme by exploring the merging of worlds and the lines that connect us all. 

We are joined further with performances and collaborations by local organisations and artists namely MES, Shade Youth Art Programme, African Reclaimers Organisation, George’s Boxing Gym, Johannesburg Awakening Minds, Three2Six, ToGaTa, Ezase-Vaal Brass band, Sentech Croozers, Windybrows’s Choir, Marimba players in partnership with marimba Jam and Literacy Group, facilitated by Sisaxhoba Magama, Sue-Anne Hamer and Devorah Rothman – UJ Art Therapy Honours students), David Gara and The Cirk. 

The parade returns to ignite the possibilities of community action and connection when artists, makers and youth come together to showcase a shared sense of collective dreaming to shine a light on the importance of public space, by utilizing surprise and provocation as a tool for connection and collective awareness. 

In bringing these groups together, the Windybrow Arts Centre expresses its commitment to developing genuine and reciprocal relationships with its neighbours, and by offering a space for young people to explore the arts. It also introduces Kwasha! Theatre Company to the neighbourhood in which it will work, play, teach, and perform this year.

We receive support from Ekhaya CID, Badboys Security, Hillbrow Police, Assitej South Africa, Joburg Photowalkers and the City of Johannesburg.

Save the date – because the 25th of May we will pay an homage to the imaginary lines that weave and hold the narratives that connect us all. 

Ballaké Sissoko and Derek Gripper: A New African String Theory

Ballaké Sissoko and Derek Gripper: A New African String Theory

Ballaké Sissoko and Derek Gripper play at the Market Theatre as part of their very first SA tour, on the back of concerts in the US, Turkey, France, Switzerland and Sweden, they finally make it back home.

Malian virtuoso Ballaké Sissoko has taken over the mantle of the greatest touring kora player. Derek Gripper is South Africa’s leading guitarist whose love of the kora set him transcribing and recording some of its greatest works. “In the complex web of theme and variations spun by Sissoko’s twenty-two strings and Gripper’s six, a new African string theory is elaborated.

In collaboration with the Alliance Francais and Air

France.

Malian virtuoso Ballaké Sissoko has taken over the mantle of the greatest touring kora player. Derek Gripper is South Africa’s leading guitarist whose love of the kora set him transcribing and recording some of its greatest works. “In the complex web of theme and variations spun by Sissoko’s

twenty-two strings and Gripper’s six, a new African string theory is elaborated.

Interval: 15 minutes

 

BandaBanda Agency in association with the Market Theatre Presents  Jazz in Afrika Concert 

BandaBanda Agency in association with the Market Theatre Presents Jazz in Afrika Concert

BandaBanda Agency produces yet another show in association with the Market Theatre as a double Bill between to Artist BandaBanda & The Crocodiles  and Keenan Meyer. This will be a great celebration of African music as we end Africa Month. 
 
BandaBanda & TheCrocodiles Project 
This Project is an idea of putting great Versatile Musicians from different Parts of the world as collaborations. Banda is Known for the love of music and his unique way of approaching the bass which made him to stand out.
 
Spending time with Bheki Mseleku and Sandile Shange contributed on his growth and taste in music music,  He got to work and tour with top artist like Sibongile Khumalo ,Hugh Masikela ,Busi Mhlongo, Madala Kunene, Thandiswa Mazwai to mention the Few. 
With the diverse influences of different cultures and backgrounds we can expect something with a lot of influence yet exciting. BandaBanda is always been out spoken about being an African and the  African voice to be heard all over the world. That always turn to come out on his Music.
 
Between all this musicians there is a lot of experience and diversity which makes this project very exciting .The music is written and arranged by BandaBanda. We Fuse  African Music,Funk,Jazz and Latin,  Influences to the sound are bands like  Sixun,TaiwaMolelekwa , Joe Zawinul and the Syndicate, Miles Davis , Manu Dibago ,Salif Keita ,Weather Report. “Its the Music for the World”.
 
“Tell your real story and everyone will hear you”
 
BandaBanda & TheCrocodiles Project  “African Stories”
Keenan Meyer
 
Born and raised in Johannesburg, South Africa, Keenan Meyer is a classically trained pianist, composer and Mandela Rhodes scholar. Meyer has had a lifelong relationship with music. From attending concerts produced in his hometown of Bosmont as a young boy, to graduating from the University of Pretoria with a Bachelor of Music Degree majoring in music psychology and piano methodology in 2018.
 
His study of Impressionistic composers such as Ravel and Debussy combined with the melodic elegance of the Romantic style in Rachmaninoff’s music among others, undeniably influenced his performance style and the composition of his own music.
An equally important influence is Meyer’s research on music in South Africa. As part of his Honours degree, he produced a dissertation that examined the role of music in two significant periods of South African history: the fight against apartheid, and the #FeesMustFall movement.
 
He gained a deeper understanding of music’s ability to galvanise human consciousness, a central theme in his debut body of work, The Alchemy of Living.
Meyer also developed a deeper connection to South African Jazz and Jazz icons specifically the tonal palette and spirituality of Abdullah Ibrahim’s music.
 
This background and experience has shaped Meyer’s career and creative output. Meyer’s debut album is a deeply personal snapshot of his journey thus far. It pays tribute to the music he grew up listening to, his travels around Asia and South America, South Africa’s musical traditions and ancestry, and the composers he has studied and loves.

CALL FOR ZWAKALA FESTIVAL 2024/2025 draft

CALL FOR ZWAKALA festival 2024/2025

The Market Theatre invites interested community theatre groups to submit applications to take part in its annual Zwakala Festival – Community Theatre Practitioners Incubator Programme for 2024/2025. 

The Zwakala Festival is a mentoring and a showcase platform for community-based theatre practitioners residing in City Of Johannesburg Metropolitan Municipality.

The programme’s main aim is to improve the skills of writers, directors and performers. It empowers them to create and produce local content of a high standard and trains the next generation of community arts leaders and cultural entrepreneurs. It also takes them through a journey of both the creative and practical sides of producing a professional theatre piece.

Group leaders, writers and directors receive specialised training and resources to improve the quality of their work and their leadership, ultimately benefiting the entire group.

The Incubation Programme is sponsored by the Department of Sports Arts and Culture. Through this programme the department aims to help emerging practitioners to hone their skills through mentorship and propel them to professional status. The process also puts a strong emphasis on home-grown content to hopefully generate exciting new productions for the theatre-going public.

ELIGIBILITY

  • All members of the group must be South African citizens.
  • Groups are to reside within boundaries of City of Johannesburg Regions (A-G).
  • Group members need to be between 18 to 35 years old.
  • Only full-time theatre practitioners can apply, no students/learners allowed to participate.
  • Groups must secure their own rehearsal venue for site visits and fieldwork. No rehearsal venue will be provided by Market Theatre. Market Theatre Foundation will not cover rehearsal venue hire costs.
  • All groups must adhere to the confirmed site visit schedule, no deviations will be allowed. Failure to adhere will result in disqualification. 
  • Failure to comply with all the requirements, will result in immediate disqualification.

Should you meet the above eligibility criteria, the following needs to be submitted for your application to be evaluated:

  • A duly completed showcase application form. 
  • The total number of group members not to exceed ten (10).
  • Selected group are required to provide minimal props, costume and furniture (where applicable) for the Ko Lapeng Showcase.

IMPORTANT DATES:

When applying, groups must ensure that they are available for showcasing as well as fieldwork. Site visits and fieldwork will be as per the festival schedule that will be shared with accurate dates per production.

Roll-out of the festival for 2024/2025 is as follows:

  • Call for application opens 07 May 2024 and closes 31 May 2024
  • Selection 1:  03 – 07 June 2024
  • Ko Lapeng Showcase: 15 – 16 June 2024
  • Fieldwork: July – September 2024
  • Zwakala Festival: 05 – 06 October 2024
  • Zwakala Winner: Stage Reading:

              – Script Development: 14 October – 09 November 2024
              – Group Rehearsals: Stage Reading: 18 – 21 November 2024
              – Stage Reading: 22 November 2024

  • Zwakala Winner: TBC

              – Rehearsals: 2 weeks pick-up rehearsals (Dates TBC)
              – Season: 2 weeks run (Dates TBC)

HOW TO APPLY:

  • Applications can be submitted online via our website: markettheatre.co.za by Friday, 31 May 2024.

N.B: Correspondence will only be limited to successful groups.

FOR ENQUIRIES:

Festival Coordinator

Email: proposals@markettheatre.co.za

Tel: 011 832 – 1641

REGIONS IN THE CITY OF JOHANNESBURG METROPOLITAN MUNICIPALITY