ADAM’S ALE

ADAM’S ALE

ADAM’S ALE

Adam’s Ale is a powerful one-man theatrical work that explores the complexities of identity, masculinity and loss within contemporary South African society. At the heart of the story is a young man – Letswai – navigating the uncertain space between boyhood and manhood, grappling with what the rite of passage into manhood truly means and whether the expectations placed upon him align with his own understanding of himself.

The story unfolds through a series of memories, reflections and encounters that reveal the protagonist’s journey from innocence to experience. As he confronts the realities of social expectations, absent fatherhood and the pressures of manhood, he is forced to question the values and beliefs that have shaped his life. The work examines how inherited ideas of masculinity can both empower and imprison individuals, while also highlighting the resilience required to break cycles of trauma and silence.

Adam’s Ale is written by Mxolisi Masilela, directed by Banele Yengeni and performed by Kgwadi Tshwarelo Selolo.

UNTITLED DEEDS

UNTITLED DEEDS

In a desolate land built from tin cans and plastic scraps, survival is a daily act of resistance. There is no water, electricity or any promise of service or care. Only the Law: a merciless system that forces citizens to move endlessly, evicted from one settlement to the next without reason or warning.

At the centre of this world is a family constantly on the run. Each time they build a fragile sense of home, the law arrives to tear it apart, declaring the land forbidden and the people illegal. Homes are dismantled overnight, memories left behind among rusted metal and melting plastic.

As eviction after eviction erodes their dignity and hope, the family begins to question whether the law is meant to control land or to erase the people who live on it. In a world designed to keep its citizens rootless and silent, their struggle becomes a quiet rebellion: the fight to belong, to stay and to exist.

Untitled Deeds is written and directed by Abednigo Moruti Dhlamini.

TX Theatre at The Market 2026

TX Theatre at The Market 2026

The Market Theatre hosts The TX Theatre Hub for the second iteration of The TX Theatre @ The Market, which was first held in September, 2025. This continued collaboration reaffirms The Market Theatre’s commitment to community-based storytelling, amplifying rising voices, creating access and developing the next generation of theatre-makers.

TX Theatre Hub @ The Market is a festival comprising of five compelling, thematically rich and theatrically explorative productions. Running from 23 – 26 July 2026, audiences are spoilt for choice as Masai Sepuru and Isaac Sithole return with Dark Magic and Chasing Laughter respectively. Mxolisi Masilela’s Adam’s Ale makes a debut appearance alongside Untitled Deeds by Moruti Dlamini. Solly Ramatswi’s new work, Sinking, adds to the vibrancy of weekend offering.

The festival comes hot off the heels of TX Theatre Hub’s successful showcase at the National Arts Festival in Makhanda, where works like Dark Magic, Adam’s Ale and Untitled Deeds won hearts.

SINKING

In Sinking, written by Solly Ramatswi and directed by Moruti Dhlamini, a born-free revisits the memories in his blood. There are living shadows of his (great) grandmother and grandfather to aid him as he interrogates the times of apartheid. The journey starts with a remembrance of who we are – or more accurately, who our (great) grandparents were – and heads to the war zones where his grandfather disappeared. We see a name get buried when a body is not found; his absence is used as a telescope looking into the past and the future.

DARK MAGIC

Written and performed by the award-winning poet Masai Sepuru, Dark Magic is a powerful celebration of African spirituality, delving into its rich history and its profound influence on the global medical industry and spiritual institutions. Through an evocative blend of prose, poetry and music, Masai leads audiences on a journey into a world of mystery, ancestral wisdom and wonder. This work invites deep reflection, sparking conversation and urging audiences to reimagine and challenge dominant perspectives.

CHASING LAUGHTER

Chasing Laughter is a gripping drama exploring hate, guilt and grief. It follows a man driven by irrational desires, haunted by his past, where power blurs justice and destruction. His descent into madness warns that even justified acts can have unforgivable consequences. Through redemptive transitions and phenomenal storytelling, it confronts the darkness within and poses profound, unsettling questions. Age Recommendation 16LV

ADAM’S ALE

Adam’s Ale is a powerful one-man theatrical work that explores the complexities of identity, masculinity and loss within contemporary South African society. At the heart of the story is a young man – Letswai – navigating the uncertain space between boyhood and manhood, grappling with what the rite of passage into manhood truly means and whether the expectations placed upon him align with his own understanding of himself.

UNTITLED DEEDS

In a desolate land built from tin cans and plastic scraps, survival is a daily act of resistance. There is no water, electricity or any promise of service or care. Only the Law: a merciless system that forces citizens to move endlessly, evicted from one settlement to the next without reason or warning.

The Jury Experience

The Jury Experience

Step into the world of justice with The Jury Experience, where you become the jury in a live, interactive trial. This immersive courtroom drama challenges you to examine witness testimonies, cross-examine key players, and assess forensic evidence, all while live actors present compelling arguments in front of a cinematic screen. As you engage with the case, you’ll make decisions at pivotal moments, with your final vote determining the fate of the accused: guilty or innocent.

Designed for group participation, this 60-minute experience immerses you in high-stakes courtroom drama where the line between right and wrong is blurred. Will justice be served? Only you can decide.

Practical info

Duration – 65 minutes – Doors open 30 min before

📍Venue – John Kani Theatre – The Market Theatre – 138 Lilian Ngoyi Street, Newtown, Johannesburg 2001

👤Age12+Under 16s must be with an adult

Accessibility –  Fully accessible Wheelchair zone available

Woza Albert!

WOZA ALBERT! Returns to Its Home at The Market

Woza Albert! makes a highly anticipated return to The Market Theatre for a strictly limited run of two weeks as part of the Theatre’s 50th anniversary celebrations. The work was first created and staged at The Market Theatre in 1981 by Mbongeni Ngema, Percy Mtwa and Barney Simon. Through biting satire and chilling truthfulness, the creators explored what would happen if Morena – the Lord – were to return to a racist, oppressive apartheid South Africa.

The current version is performed by Hamilton Dhlamini – who also directs it – and Thulani Mtsweni. The two actors move between characters to capture the daily realities of Black lives under apartheid. They highlight the resilience, imagination and defiance of Black South Africans, while confronting audiences with the moral contradictions of the time.

Set to run in the Barney Simon Theatre from 15 July – 26 July 2026, this hugely influential piece of protest theatre is an honest and raw portrayal of the apartheid regime’s brutality as it satirically revisits the ground we walk on today.

Actor-director Hamilton Dhlamini regards the staging of Woza Albert! as an opportunity for the nation to sit back and reflect on its progress more than 30 years after democracy, especially in a high-stakes local government election year.

“Thematically, this play is about power and its (mis)use. We need responsible and accountable leadership who will honour the sacrifices of the past and deliver a better life for all. When it was created, it pierced sharply into the heart of apartheid. Its return is now an examination of the conduct of our current leadership. The piece is an important mobilising tool towards elections, reminding both leaders and the electorate of what the struggle has always been about: the people.”

“It is an immense honour,” Hamilton goes on, “to bring Mbongeni Ngema, Percy Mtwa and Barney Simon’s seminal piece to its original home. With this totally unmissable run, we’re not just reviving an old apartheid story; we’re confronting contemporary issues facing the nation in the new dispensation.”

At the height of apartheid in the ‘80s, which included the declaration of the State of Emergency alongside calls to make the country ungovernable through mass action, Woza Albert! commanded attention globally as a strong voice against the regime. Through impactful performances, the work contributed to the international condemnation of the system, proving how powerful art can be in giving language to people’s struggles.

Almost 50 years later, the play has enjoyed a prolific local and international life, with successful tours and rave reviews at the Edinburgh Festival, Berlin, Los Angeles, San Francisco, Seattle, Philadelphia and more.

It has also won numerous international awards and is now among South Africa’s stage classics read in schools nationally, and is studied worldwide.

About its return during the crucial 50th birthyear of The Market Theatre, Artistic Director Greg Homann comments: “Woza Albert! is woven into the DNA of The Market Theatre. Created here in the early years of our existence, it stands as one of the seminal works that helped define both our stages and the South African story we have been home to for the past 50 years. Bringing it back now acknowledges where we come from as a nation, as well as how our story continues to evolve.”

Tickets for Woza Albert! are available on Webtickets starting from R110, with special discounts for the preview performance, for groups of four or more, and with all Wednesdays at half-price.

Affordable, safe and secure underground parking is available at the Newtown Junction.

ENDS.

The Market Theatre is a division of The Market Theatre Foundation, an agency of the Department of Sport, Arts and Culture.

 For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development) at AnthonyE@markettheatre.co.za or 083 246 4950.

For media enquiries, please contact Bongiwe Potelwa (Publicist at the Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

Woza Albert!

THE NEWS IS A JOKE: If We Don’t Laugh, We’ll Sigh

Dan Corder is coming to the home of bold, The Market Theatre, to present his brand-new political comedy show, THE NEWS IS A JOKE: If We Don’t Laugh, We’ll Sigh. Featuring sharp news analysis, edgy satire, celebrity guest interviews and live music from one of South Africa’s best jazz bands, THE NEWS IS A JOKE is a funny take at some of South Africa’s most ridiculous moments, tearing into the newsmakers of the day, political figures and key developments in this democracy of ours.

Corder, celebrated for his solid grasp, unusual humour and unique delivery, presents more than a show; it’s a commission of inquiry into how did we get here! Today’s economy might have impeached your bank balance, but if you dig deeper, you might find some dollars in your couch. So, get down to The Market Theatre, and remember to get your ticket on Webtickets, or Madlanga will be calling you. The only cold drink we recognise is the one sold at the bar.

First Love: Samuel Beckett’s Dark Comedy Arrives at Kippies

First Love: Samuel Beckett’s Dark Comedy Arrives at Kippies

Panurge Theatre Co. in association with The Art Cave and The Market Theatre presents a staging of Samuel Beckett’s First Love as part of the 2026 Kippies Fringe Programme.

Running from 6 – 9 August 2026 at Kippies, the performance brings Samuel Beckett’s dark comedy to the heart of Jo’burg.

Written in 1946, some years before Beckett would shake the foundations of world theatre with Waiting for Godot, and described by novelist John Banville as “the most nearly perfect short story ever written”, First Love tells the deceptively simple tale of a man who – following the death of his father – is kicked out of his family house and, while living the life of a vagrant, meets a woman one night on a park bench, they fall in love and move in together.

But First Love is a story that thrives on how it is told, suffused with Samuel Beckett’s incomparable prose that finds humour in the darkest places and delves into the deepest recesses of the psyches of people on the fringes of society, to tell a story that is at once both hilarious and devastating.

The work further examines themes of loneliness, of loss and grief, of love, of fatherhood, of retreat.

This staging of First Love, under the direction of Qondiswa James and with a performance by William Harding described as “a vocal and physical tour de force”, premiered at the POPArt Theatre in December 2025 to critical acclaim. The production focuses on a paired back, minimalist approach to the work, focusing on the symbiosis of performance and text, and using “Harding’s formidable physical theatre skills” (Bruce Dennill) to create a compact and commanding piece of theatre.

Qondiswa James is an award-winning theatre-maker, performance artist, film and theatre performer, installation artist, writer, arts facilitator and activist. Her directorial works include A Howl in Makhanda (Joburg Theatre), Amaxelegu (The Market Theatre), Emhlab’Obomvu (National Arts Festival) and Silindile, which was part of the UCT New Voices in 2017.

James was awarded the Theatre Arts Admin Collective’s Emerging Theatre Directors Bursary in 2018 for A Faint Patch of Light, a powerful re-interpretation of the legendary playwright Athol Fugard’s Statements After An Arrest Under The Immorality Act. That play was nominated in 2019 for 2 Fleur du Cap Awards for Best New Director and Best Actress.

William Harding interprets the role of Beckett’s nameless narrator. Over the last decade William has established himself as one of South African theatre’s most versatile character actors. His work include performing in William Kentridge’s productions of The Great Yes, the Great No and Houseboy (both of which toured globally).

Other works include Metamorphosis, performed at UJ Theatre and directed by Alby Michaels, as well as Tartuffe, The Miser, The Table, CARGO: Precious, Travels Around My Room all of which were directed by Sylvaine Strike, among other productions over the years. His work as a playwright include Tobacco and the Harmful Effects Thereof, The Cenotaph of Dan Wa Moriri (in collaboration with Tomy Miyambo and Gerard Bester), Kings of the World as well as And then the sea….

Submerge yourself in Beckett’s dark and brilliant imagination in First Love at the Kippies Fringe from the 6 – 9 August 2026. Tickets are out on Webtickets selling for R100. Bulk tickets can be purchased at The Market Theatre box office: 4 tickets at R350 and 8 tickets at R670.

                                                                                                             ENDS

The Kippies Fringe is an initiative of The Market Theatre, a division of The Market Theatre Foundation.

For media enquiries, please contact Bongiwe Potelwa (Publicist at The Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

For reduced price block bookings of 10 or more and school groups, contact Anthony Ezeoke (Audience Development Specialist at The Market Theatre Foundation) at anthonye@markettheatre.co.za or 083 246 4950.

The Art Cave Returns to Curate the Kippies Fringe During The Market Theare’s 50th Year

The Art Cave Returns to Curate the Kippies Fringe During The Market Theatre’s 50th Year

The Market Theatre is proud to announce the return of the Kippies Fringe, curated for the second year running by The Art Cave (Philangezwi Nxumalo and Tebogo Malapane). The 2026 programme – which unfolds from July to  December 2026 at Kippies – promises a bold and dynamic fringe offering that engages multiple generations, themes and communities.

This year’s iteration, in the 50th year of The Market Theatre, marks a significant milestone for The Art Cave, while reaffirming The Market Theatre’s commitment to bridging access, empowering up-and-coming storytellers and developing new audiences.

“For 50 years, The Market Theatre has proved itself to be a trusted home of the South African story—and continues to be a space in which diverse voices find expression. The Kippies Fringe sits within that objective of giving space to small-scale work, while amplifying rising voices,” states Greg Homann, Artistic Director at The Market Theatre Foundation.

S’nazo Unplugged @ Kippies: Live, Intimate, Soulful

Afro-soul rising star S’nazo takes over the Kippies stage for two intimate and soulful unplugged performances.

Imanyano Yabahlobo Opens the 2026 Kippies Fringe on a High Note

Don't miss this unforgettable celebration of jazz, soul and cultural expression.

New Children’s Comedy Brings Recycling to Life on Stage

Zweli and the Lemon Seed is a new interactive comedy piece for children, young audiences and the whole family.

First Love: Samuel Beckett’s Dark Comedy Arrives at Kippies

A story that is at once both hilarious and devastating, examining themes of loneliness, of loss and grief, of love, of fatherhood, of retreat.

Imanyano Yabahlobo Opens the 2026 Kippies Fringe on a High Note

An unforgettable celebration of jazz, soul and cultural expression with Imanyano Yabahlobo Jazz/Soul Concert

New Children’s Comedy Brings Recycling to Life on Stage

Zweli and the Lemon Seed, a new interactive comedy piece written and directed by Philile Ntimbane.

New Children’s Comedy Brings Recycling to Life on Stage

New Children’s Comedy Brings Recycling to Life on Stage

Phephanepeni in association with The Art Cave and The Market Theatre presents Zweli and the Lemon Seed, a new interactive comedy piece written and directed by Philile Ntimbane. Showcasing at the Kippies Fringe from 30 July to 2 August 2026, Zweli and the Lemon Seed tells the story of Zweli, a mischievous township boy with low grades and a reputation for being naughty. His parents send him to his grandmother’s house for the holidays to give everyone a break. At his gran’s, there is no Wi-Fi, no fast food and none of the things Zweli is used to back home. What he finds instead is a farmer who teaches him about nature, farming, recycling, anti-littering and the consequences of illegal dumping.

The lessons turn out to be exactly what he needed to improve his school marks. The play breaks the fourth wall and invites the audience to actively participate, offering their own recycling solutions during the performance. Using minimal props and contemporary movement, the work creates a joyful experience that leaves children with lessons they carry long after the curtain comes down.

In a world where environmental issues are impossible to ignore, this play meets young audiences where they are and gives them something to act on.

“There is a real gap in children’s theatre in South Africa,” says Ntimbane. “Many children love live performance, and educational theatre helps them hold on to important lessons long after the show ends. I am passionate about going green and protecting our planet. These are global issues, and this play is my way of bringing them to life for young people.”

Philile Ntimbane is a playwright, scriptwriter and theatre producer with 16 years of experience in the South African arts industry. She holds an Honours degree in Dramatic Arts from the University of KwaZulu-Natal and a Diploma from Durban University of Technology. She has a background in youth development and community arts, having worked within leading theatre institutions including Joburg City Theatres and The Playhouse Company in Durban. In 2023, she founded Phephanepeni (Pty) Ltd, a creative arts company focused on arts, culture and community development.

With a passion for arts education and experience working with schools and young audiences, Ntimbane has a deep understanding of how to connect with children and youth through storytelling and performance. Her works include Democrazy, a satirical play about South African democracy, following which she was invited as a playwright and collaborator to the 17th Drama for Life Conference and Festival at the University of the Witwatersrand in October 2025, as part of the Paper Series on Satire and Social Reflection in South African Theatre.

Zweli and the Lemon Seed was written by Philile Ntimbane and was part of the BASA Grant 2.0 pilot programme, which took place in Ngwelezane Township, north of KwaZulu-Natal.

Throughout its run, children will laugh, engage and leave with lessons they will never forget. Bring the whole family to Zweli and the Lemon Seed at Kippies from 30 July to 2 August 2026. Tickets are R100 on Webtickets. Bulk tickets can be purchased at The Market Theatre box office: 4 tickets at R350 and 8 tickets at R670.

ENDS

The Kippies Fringe is an initiative of The Market Theatre, a division of The Market Theatre Foundation.

For media enquiries, please contact Bongiwe Potelwa (Publicist at The Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

For reduced price block bookings of 10 or more and school groups, contact Anthony Ezeoke (Audience Development Specialist at The Market Theatre Foundation) at anthonye@markettheatre.co.za or 083 246 4950.

 

 

Ballet of Lights: Sleeping Beauty

Ballet of Lights: Sleeping Beauty

⭐ Ballet of Lights: Sleeping Beauty has arrived in Johannesburg! This beloved tale is brought to life with classical dance, stunning choreography, and beautiful glow-in-the-dark costumes. Get your tickets for Ballet of Lights: Sleeping Beauty in a Sparkling Show in Johannesburg!

re🎵 Created by María Farelo and Cristian Pérez of Luma Artistas S.L.
✨ Looking for more magic? Check out other Ballet of Lights shows in Johannesburg

General Info
📅 Dates and times: select your date & time directly in the ticket selector
📍 Location: John Kani Theatre – The Market Theatre, 138 Lilian Ngoyi St, Newtown, Johannesburg, 2001, South Africa
⏳ Duration: approx. 60 minutes (doors open 30 mins prior to the start time, late entry is not permitted, and there is no interval)
👤 Age requirement: Age requirement: 5+. Children under 16 must be accompanied by an adult
♿ Accessibility: the venue is wheelchair accessible
❓ For more information, please consult the FAQs of this experience here

We recommend you arrive early ✨ If you would like to book a private show or buy tickets for a large group (30+ people), click here

Description Step into a world where light and dance intertwine in this breathtaking retelling of Sleeping Beauty. As dancers glide across the stage, their illuminated costumes create a dazzling display of color and light, making every twirl and leap feel otherworldly. This isn’t just a ballet show—it’s a magical experience that brings a beloved classic to life in a way you’ve never seen before. Get your tickets now for Ballet of Lights: Sleeping Beauty in a Sparkling Show in Johannesburg!