‘Mr Duiker Sang the Blues’ Presents a Meditation on the Death of an Artist

‘Mr Duiker Sang the Blues’ Presents a Meditation on the Death of an Artist

The Market Theatre in partnership with the Dramatic, Artistic and Literary Rights Organisation (DALRO), Wits University Press and the University of KwaZulu-Natal’s Centre for Creative Arts (UKZN CCA) have teamed up for the premiere of Mr Duiker Sang the Blues, a theatrical adaptation of the 2025 DALRO Can Themba Merit Award winning short story of the same name, written by Dyondzo Kwinika.

This new play-with-music tracks the life of an exceptional jazz musician named “Themba”, who enjoys a successful music career while wrestling his inner demons. Through the recollections of his family and those closest to him, the play presents a deeply intimate and honest exploration of family, friendship, memory and the complexities of mental health.

Mr Duiker Sang the Blues is directed by Mahlatsi Mokgonyana (Standard Bank Young Artist 2022), and will run from 10 September – 4 October 2026 at The Market Theatre.

Legendary actor Desmond Dube, who featured prominently during The Market Theatre’s 50th anniversary celebrations, leads the phenomenal cast comprising of another veteran of the stage, Nomathamsanqa Ngoma. William Harding and Tankiso Mamabolo complete the cast, with experimental and narrative-driven music by Yogin Sullaphen and haunting operatic vocal lamentations by Pertunia Msani, who together are at the core of telling this story.

Nelisiwe Xaba makes a comeback to The Market Theatre as the play’s movement director.

Director Mokgonyana describes Mr Duiker Sang the Blues as a meditation on the meaning of an artist’s death, while poignantly exploring grief, how it lingers and how we reckon with loss.

“The burden of the artist is often to be everything except being yourself. In surrendering their innermost being to the demands of their craft and the public gaze, artists become expelled from themselves, becoming idols and icons who belong to the world,” he remarks. “When death arrives, family and loved ones must then contend with private grief in the midst of public mourning. The weight of the spirituality of death is reduced to a spectacle, and the artist, in death as in life, forfeits themselves to the gallery.”

With death as its meditative anchor, this musically rich work calculates the hefty psychological price for creative talent, and the cost of balancing artistry, personality and celebrity. It further lends much needed language to mental health challenges facing the creative community, often masked in performative joy and the unending pursuit of perfection. It asserts that the true legacy of artists is not measured by the outpouring of condolences when they pass on, but the respect and integrity with which they were treated during their life and times.

The DALRO Can Themba Merit Award was launched at the Time of the Writer Festival in March 2025 as a groundbreaking collaboration between DALRO, The Market Theatre Foundation, Wits University Press and the University of KwaZulu-Natal’s Centre for Creative Arts.

The competition attracted more than 250 submissions from different parts of South Africa. An anthology featuring the top ten shortlisted stories titled When Water Wants To – including Kwinika’s Mr. Duiker Sang the Blues – was published by the Wits University Press and edited by playwright-director, Neil Coppen.

Reflecting on this moment, Kwinika says, “I wanted to write about the guilt, the silence, the unbearable. And Mr Duiker Sang the Blues came out of that place. I wrote it as a short story, so seeing it become a play is still strange to me. Words that started with me are now being spoken by actors, and other people are finding their way into the work. The DALRO Can Themba Merit Award has been important in my writing journey. It gave the story a life beyond me and gave me the opportunity to discover playwriting. I am still learning what happens when a story leaves your hands and enters a room.”

Greg Homann, Artistic Director at The Market Theatre Foundation and dramaturge of the play-with-music, says Mr Duiker Sang the Blues continues on an impressive record of staging and adapting some of South Africa’s favourite novels and short stories into plays. “For us at The Market Theatre, adaptation has long been a powerful way of giving stories a life from page to stage. Through this tradition, iconic works such as The Suit, The Life and Times of Michael K, The Promise, The Cry of Winnie Mandela and now Mr Duiker Sang the Blues have found new audiences beyond the page, expanding access to these important narratives while vitally preserving, growing and celebrating our rich literary heritage,” states Homann.

For DALRO, this work is closely linked with its commitment to safeguarding the rights of creators and advancing an ecosystem in which artists are fairly recognised and remunerated, both of which are essential to their wellbeing, sustainability and legacy. “The journey of Mr Duiker Sang the Blues from an award-winning short story to a fully realised stage production is exactly what the DALRO Can Themba Merit Award was created to achieve,” says DALRO Managing Director, Lazarus Serobe.

“The award is more than a writing competition. It is a developmental platform designed to identify, nurture and invest in emerging South African writers, providing mentorship, publication opportunities and pathways into other creative disciplines. We are immensely proud of Dyondzo Kwinika’s achievement and of how this story has progressed from a call for submissions to publication and now to the professional stage. In celebrating Can Themba’s legacy, we are also creating opportunities for a new generation of writers to find their voice, build sustainable creative careers and contribute to the future of South African storytelling.”

Don’t miss this poetic, moving and deeply effecting play-with-music at The Market Theatre from 10 September – 4 October 2026.

Tickets for Mr Duiker Sang the Blues are available on Webtickets starting from R110, with special discounts for the preview performance, for groups of four or more, and with all Wednesdays at half-price.

Affordable, safe and secure underground parking is available at Newtown Junction.

ENDS.

The Market Theatre is a division of The Market Theatre Foundation, an agency of the Department of Sport, Arts and Culture.

 For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development Specialist at The Market Theatre Foundation) atAnthonyE@markettheatre.co.za or 083 246 4950.

For media enquiries, please contact Bongiwe Potelwa (Publicist at The Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

Cradle of Creativity Festival 2026: Where Imagination Takes Centre Stage

Cradle of Creativity - Where Imagination Takes Centre Stage!

Presented by ASSITEJ South Africa, Cradle of Creativity is the country’s only international festival dedicated to theatre and the performing arts for children and young people. Since its origins in hosting the ASSITEJ World Congress in 2017, the festival has become a major platform for artistic excellence, international collaboration, audience development and professional exchange, showcasing the very best work from South Africa, across Africa and around the world.
“Children and young people in South Africa seldom have the opportunity to experience international theatre and performing arts of this scale,” says Yvette Hardie, Director of ASSITEJ South Africa. “Cradle of Creativity is about bringing the world to children, while showcasing the creativity and stories of South Africa to the world.”

The festival takes place in the 50th anniversary year of the 1976 Soweto Uprisings. Inspired by the courage, creativity and activism of young people, the festival celebrates the power of youth to question boundaries, imagine alternatives and shape a more just future. It also honours the rich indigenous heritage of the continent, creating space for local voices to stand alongside artists from across Africa and beyond.
 

This year’s festival is supported by the National Arts Council through the Presidential Employment Stimulus, and will present 21 productions in theatre, dance, circus and interdisciplinary performance coming from 10 countries, reaching audience members aged from as young as one year old through to adulthood.

Performances for the youngest audiences include Eyecatchers by De Stilte from the Netherlands, a sensory dance work for children aged one and older, featuring movement, music and unusual instruments. The production is supported by the Royal Netherlands Embassy. South Africa’s award-winning Grommels, for ages two and older, follows the last two colours in a grey world and was named Best Children’s Theatre at the 2025 Kanna Awards, in addition to receiving an Ovation Award at the 2025 National Arts Festival.
 
Also for audiences aged two and older, The Young Scientist presents children as capable thinkers who can respond to environmental destruction, species extinction and animal abuse. The Boy and the Ball, an acclaimed non-verbal production from Australia aimed at four-year-olds, uses simple objects and theatrical illusion to tell a gentle story about shyness, friendship and connection.

For children aged 5-12 and their families, South Africa’s The Forest combines live dance, animation and audience participation in a story inspired by Ukrainian writer Lesya Ukrainka’s Forest Song. The production explores nature, imagination, love and resilience, reminding audiences of the importance of protecting their relationship with the natural world.
Children aged seven and older can experience productions from Ghana, Zimbabwe Rwanda, Germany and South Africa. 

Gizo-Gizo! The Musical, from Ghana, combines traditional and contemporary music, dance and storytelling in the tale of a selfish spider who pollutes a lagoon. Zimbabwe’s The Painted Kite explores friendship, bullying and self-discovery through the magical journey of three children and a kite brought to life. South Africa’s Serurubele/Butterfly Heart offers a sensitive, child-centred exploration of friendship, grief, and loss. 

IreOluwa, a dazzling musical from Amandla Danca Teatro (Northern Cape), weaves together music and dance from Yoruba and Khwe Xam (Khoi San) cultures. Golden Memories, from Circus Zambia, combines circus, physical theatre, music and storytelling in a journey through childhood memories, imagination and personal growth. 
Dimpho and the Catfish explores adolescence, online choices and the evolving relationship between a mother and daughter in a technology-driven world. Leah, from Nigeria, reimagines the story of Leah Sharibu, who was abducted by Boko Haram in 2018, through a two-woman production combining storytelling, music and Northern Nigerian humour.
Talking About Silence, created by Ishyo Arts Centre in Rwanda and Helios Theatre in Germany, uses personal stories, songs and melodies to examine silence within families, communities and histories. It explores what is spoken and left unspoken, and the different ways silence can shape personal and collective experience. The production is supported by the Goethe-Institut.

Older children and teenagers can engage with a number of productions exploring youth agency, history, trauma, civic responsibility and issues relevant in contemporary South Africa. 
Skin We Are In, based on the book by Dr Sindiwe Magona and Professor Nina Jablonski and adapted for the stage by Omphile Molusi, supports conversations around race, belonging and shared humanity, through storytelling, music and audience interaction. Both Uganda’s The Snake Around Baba’s Waist and South Africa’s RooiLug, confront the lasting effects of childhood traumas in their respective contexts. 

For audiences aged 14 and older, S.O.N.D.A. uses satire, humour and sharp social commentary to examine South Africa’s political landscape and invite reflection on civic responsibility. A Season of Hell explores youthful rebellion and the contradictions of contemporary Johannesburg, as a space of struggle and renewal. Letters From Tomorrow examines reflection, regret, and redemption in the not so new South Africa. It questions reconciliation and challenges what we think we know about truth. 
The festival is expected to reach around 8000 audience members. Approximately 300 young artists and cultural practitioners will participate in workshops and professional exchanges designed to strengthen South Africa’s creative industries and build lasting international partnerships. These include workshops on creating theatre for young audiences that engages with difficult social issues and developing work for very young (0-6 years).

In addition, ASSITEJ South Africa will launch its Arts-Rich Schools programme, developed in partnership with the Department of Basic Education. The initiative will connect schools with professional artists and cultural organisations, helping to ensure that every child has opportunities to create, participate in and experience high-quality arts throughout their education.

Participation in the arts can contribute to creativity, communication, confidence, empathy, critical thinking and educational achievement. However, professional performing arts created specifically for children and young people remain unevenly distributed across South Africa. Cradle of Creativity seeks to address this by building sustainable relationships between artists, schools, families and communities.
The festival affirms that children and young people are not simply audiences of the future, but vital audiences today, deserving of world-class artistic experiences wherever they live.
The Cradle of Creativity Festival is supported by the Department of Sport, Arts and Culture, the Department of Basic Education, the National Arts Council through the Presidential Employment Stimulus Programme, the Market Theatre Foundation, the Royal Netherlands Embassy, the Performing Arts Fund NL, the Goethe-Institut, the Northern Cape Theatre, the Northern Cape Arts and Culture Council, the Social Employment Fund and the Buz Hive.
The festival is also presented “with the support of the Goethe-Institut and Expertise France, in partnership with Institut français, within the framework of the Connect & Create programme funded by the European Union”.
                                                                                        /Ends
Festival Details:
 
Cradle of Creativity Festival, Johannesburg: Market Theatre [John Kani Theatre, Barney Simon Theatre, Ramoloa Makhene Theatre]
31 August to 6 September 2026
Cradle of Creativity On Tour, Kimberley: Northern Cape Theatre
24 -28 August 2026
Ticket Prices:
Adults: R180
Children: R150
Four people attending one production: R400
Block booking for 10 or more people: R85 per person
Block booking for 10 or more people attending two productions: R120 per person
Day Passes at the price of 2 tickets on a single day allow access to the whole festival for a day. 
For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development Specialist at The Market Theatre Foundation) at AnthonyE@markettheatre.co.za or 083 246 4950.
To sponsor children to attend the festival, go to Backabuddy: https://www.backabuddy.co.za/campaign/the-imagine-nation
Distributed on behalf of Assitej. For media enquiries, please contact
For Assitej : 
The BUZ Hive 
Bridget van Oerle 
bridget@thebuzhive.co.za / media@thebuzhive.co.za 
0832636991 
For The Market Theatre 
Bongiwe Potelwa
Bongiwep@markettheatre.co.za
011 832 1641
079 967 3441
Acknowledgements 
The Cradle of Creativity Festival is supported by the Department of Sport, Arts and Culture, the Department of Basic Education, the National Arts Council through the Presidential Employment Stimulus Programme, the Market Theatre Foundation, the Royal Netherlands Embassy, the Performing Arts Fund NL, the Goethe-Institut, the Northern Cape Theatre, the Northern Cape Arts and Culture Council, the Social Employment Fund and the Buz Hive.
The festival is also presented “with the support of the Goethe-Institut and Expertise France, in partnership with Institut français, within the framework of the Connect & Create programme funded by the European Union”.
The Market Theatre Foundation is an agency of the Department of Sport, Arts and Culture.

CROWNED: THE COMEDY SHUTDOWN – LET THE BATTLE BEGIN!

CROWNED: THE COMEDY SHUTDOWN – LET THE BATTLE BEGIN!

The Market Theatre Sets the Stage for Comedy’s Finest to Battle It Out for the R20 000 Prize and

the Crown

The Market Theatre in partnership with EyeUnderM Productions, powered by the City of Joburg’s Arts Alive, present CROWNED: The Comedy Shutdown – Reloaded, the knockout comedy battle even bigger and better than before.

The event originally scheduled for 7 August 2026, the battle will now resume on Saturday, 29 August 2026. Tickets already purchased remain valid for the new date, and organisers thank patrons and partners for their understanding.

On Saturday, 29 August 2026, doors open at 18h30 at the John Kani Theatre at the Market Theatre, as South Africa’s most established comedic voices go head-to-head with the country’s sharpest rising talent in a battle for R20,000 and crowned overall winner.

Reloaded and stacked with fresh faces, the line-up sees Mfazomhlophe, Jacques Pienaar, Snatcho, Dr Matthews, Nqobile Mahlangu, Sandile the Giraffe, Masibonge Mndende, Keketso Hutamo, KingSbuda, Neo, Timani X, Emilio Tobias, Aiden Ho and Nkukza Phiri battle it out in knockout-style rounds, competing to secure a spot in the Top Four as selected by the judges. The finalists then go head-to-head for the R20,000 grand prize, with the audience joining in via a live clapometer to help crown the ultimate comedy champion. The winner takes all.

Produced by EyeUnderM Productions (Mzansi Comedy Nights) and Nomad Concepts, the evening is staged as part of the Market Theatre’s 50th Anniversary Programme, with the City of Johannesburg and the Market Theatre joining as presenting partners, lending the weight of one of South Africa’s most storied stages to a groundbreaking comedy format. 

Alongside the laughs sits a genuine tribute: the Doek Challenge, honouring the women in the room during Women’s Month, with partner prizes for the best doek drip of the night.

Leading the night as co-hosts are two of South Africa’s most recognisable comedic voices: Celeste Ntuli, one of Mzansi’s most celebrated stand-up comedians and television personalities, whose sharp, unapologetic wit and decades of stage experience have made her a household name and a fitting face for a night built around women’s stories and comedy royalty, alongside Siphelele “Pele Pele” Mchunu, the Soweto-born comedian, actor and Jozi FM breakfast host and the 2019 recipient of the Savanna Audience Choice Comedy Award. Together, Ntuli and Pele Pele bring the star power to match a bigger, better Reloaded edition of the Shutdown.

The competition will once again be adjudicated by two heavyweights of South African comedy: David Kau, one of the country’s most established stand-up comedians and a foundational figure in building platforms that launched a generation of talent, joined by Trevor Gumbi, a multi-talented performer known for his sharp, socially conscious humour, with credits spanning Blacks Only, Comedy Central Live and Oppikoppi, to name a few.

Audience members are invited to arrive wearing their stylish doek, celebrating the heritage, identity and stories carried by women. A live, in-venue activation will crown the best doek of the night, with prizes contributed by event partners.

YFM DJ FIF_LAAA will keep the energy high and set the tone for a vibrant reloaded experience.

Tickets are now available on Webtickets. Grab yours for R250 only to secure your seat at CROWNED: The Comedy Shutdown.

                                                                                                                          ~ENDS

Issued by SM Communications on behalf of EyeUnderM Productions.

For media enquiries and interviews, please contact:

Sakhele Mazalazala

E: sakhele@gmail.com

M: 084 438 4487

Prejudice and Privilege Collide in Amy Jephta’s A GOOD HOUSE

Prejudice and Privilege Collide in Amy Jephta’s A GOOD HOUSE

The Market Theatre presents A Good House, a thrilling and comedic hit play written and directed by award-winning contemporary playwright, writer and director, Amy Jephta.

The play first premiered at the Royal Court Theatre and Bristol Old Vic (United Kingdom) in 2025 in association with The Market Theatre, where it earned rave reviews for being a “superb social satire” (The Guardian) that is “excruciatingly funny” (Financial Times) in its “worthy exploration of prejudice and privilege” (LondonTheatre).

This internationally acclaimed South African play of biting satire now arrives in Jo’burg as a fully home-grown production, running from 6 August – 6 September 2026 at The Market Theatre.

In the quaint suburban community of Stillwater, a mysterious shack springs up from the dust with the inhabitants nowhere to be seen. As speculation abounds, Black residents “Sihle” (portrayed by Nhlakanipho Manqele) and “Bonolo” (played by Lesoko Seabe) are recruited by their white neighbourhood to be the face of a campaign to demolish the shack.

Christine van Hees, Mary-Anne Barlow, José Domingos and Conrad Kemp complete the impressive cast of this piercing work.

At its core, A Good House is about a couple who discover the limits of good neighbourliness and what is required to fit in. This play – which Jephta was nominated for the prestigious international Susan Smith Blackburn Prize that honours women+writing for the stage – is full of wit, humour, insight and exhilarating tension.

Jephta describes the work as a provocative exploration of the meaning of place, the contradictions of belonging and definitions of community. While complex class dynamics and race relations play out behind high walls, the play raises questions of land, the housing crisis, transformation and racism with tongue-in-cheek honesty.

“These are the shifting terrains that my characters grapple with. The creation of the Black middle class is often spoken about as a post-apartheid policy success, gauged in terms of upward mobility, proximity to whiteness and by implication distance from their often haunted backgrounds. What we haven’t openly interrogated, at least theatrically, is what that kind of assimilation truly costs in the face of long-held prejudices and opportunities conditioned on polishing identities.”

Jephta hopes that the work will live beyond the gated community it’s set in, adding to the ongoing conversation about how the nascent Black middle class – like the couple in the play – find themselves constantly “negotiating their Blackness in spaces where they’re often the first, and indeed only, ones of their kind”.

The Market Theatre Foundation’s Artistic Director, Greg Homann, expresses great excitement and anticipation for A Good House’s South African premiere in the 50th birthyear of The Market Theatre.  

“For us, this work makes the key point that community cannot be understood simplistically. It is much more complex, storied and deeply interconnected in tense but also hearty ways. Through the lens of just one suburb, this play peels the layers off amid raging debates about place and belonging. This is the kind of work that questions who is deemed an outsider and who has the inherent right to claim a piece of land as their home,” Homann says.

Don’t miss this hilarious, joyful and richly themed story of how we live next to each other, how neighbourhoods become communities and how communities make societies. Catch A Good House from 6 August – 6 September 2026 at The Market Theatre.

Tickets are out on Webtickets, with special discounts for the preview performance, for groups of four or more, and with all Wednesdays at half-price.

Affordable, safe and secure underground parking is available at Newtown Junction.

ENDS.

The Market Theatre is a division of The Market Theatre Foundation, an agency of the Department of Sport, Arts and Culture.

 For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development Specialist at The Market Theatre Foundation) atAnthonyE@markettheatre.co.za or 083 246 4950.

For media enquiries, please contact Bongiwe Potelwa (Publicist at The Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

 

 

JOMBA! @ The Market Theatre celebrates world-class contemporary dance in Johannesburg

The Fourth JOMBA! @ The Market Theatre Celebrates World-class Contemporary Dance

Following the 28th edition of the Centre for Creative Arts’s JOMBA! Contemporary Dance Experience in Durban, the acclaimed festival expands access to groundbreaking contemporary dance by bringing a selection of the JOMBA! festival’s most celebrated productions to Johannesburg audiences. The carefully curated four-night season celebrates exceptional contemporary dance. Running from 9–12 September 2026, the programme features African and European internationally acclaimed artists and companies alongside two of South Africa’s most influential choreographic voices.

Opening this 4th iteration of JOMBA! @ The Market Theatre is the extraordinary HEROES, presented by the acclaimed Dutch company Introdans in collaboration with Uganda’s Joseph Tebandeke and Durban’s FLATFOOT DANCE COMPANY. This remarkable programme spans celebrated choreography by Sidi Larbi Cherkaoui, Iratxe Ansa and Igor Bacovich, including new South African choreography by Zinhle Nzama. The programme also features the inclusive masterpiece IUNGO by Adriaan Luteijn, bringing together performers of different backgrounds, generations and physical abilities in a powerful celebration of humanity, diversity and connection.

The season then honours two previous JOMBA! Legacy Artists whose work has transformed contemporary dance in South Africa and beyond.

Acclaimed choreographer Mamela Nyamza presents her breathtaking ensemble work THE HERD/LESS, a visually arresting meditation on community, conformity, vulnerability and survival. Characterised by Nyamza’s fearless choreographic language and uncompromising social commentary, the work powerfully interrogates belonging and resistance.

Internationally regarded choreographer and performer Vincent Mantsoe, whose deeply embodied artistic practice bridges ancestral knowledge with contemporary performance, presents his compelling new solo Desert Poems. This intimate work offers a profound meditation on endurance, spirituality and transformation through Mantsoe’s distinctive movement vocabulary.

 Additionally, as part of the season, JOMBA! and The Market Theatre will host two free professional development workshops, offering dancers and movement practitioners the opportunity to work directly with some of the artists involved in the festival.

On Tuesday, 8 September (4.30–6pm), Giuseppe Calabrese, ballet master with Introdans, leads a repertoire workshop exploring the choreographic language of renowned Belgian-Moroccan choreographer Sidi Larbi Cherkaoui. Participants will engage with concepts of fluidity, musicality, connection and dynamic movement quality, drawing on Calabrese’s extensive experience performing Cherkaoui’s celebrated repertoire.

On Friday, 11 September (4.30–6pm), Vincent Mantsoe shares his celebrated KOBA Technique, described as a “physical meditation”. Integrating traditional and contemporary dance practices, the workshop invites participants to explore identity, presence and embodied expression through Mantsoe’s internationally recognised movement philosophy.

Workshop places are free but booking is essential as numbers are limited.

Full JOMBA! @ The Market Theatre programme available on www.markettheatre.co.za

JOMBA! @ The Market Theatre offers Johannesburg audiences a rare opportunity to experience some of the world’s most compelling contemporary dance artists in one carefully curated programme—celebrating innovation, artistic excellence and the transformative power of movement across cultures, generations and borders.

Tickets for performances are available on Webtickets.

For free workshop bookings: 2024jomba@gmail.com.

Safe, affordable and secure underground parking available at Newtown Junction.

ENDS.

The Market Theatre is a division of The Market Theatre Foundation, an agency of the Department of Sports, Arts and Culture.

 For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development) at AnthonyE@markettheatre.co.za or 083 246 4950.

For media enquiries, contact Bongiwe Potelwa (Publicist at The Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

JOMBA! KANYAR Epilogue

JOMBA! Asanda Ruda

JOMBA! Bodies of Water

JOMBA! In Search of Our Humanity

CROWNED: THE COMEDY SHUTDOWN HITS THE MARKET THEATRE STAGE

CROWNED: THE COMEDY SHUTDOWN HITS THE MARKET THEATRE STAGE

The Market Theatre Foundation and EyeUnderM Productions, powered by the City of Joburg’s Arts Alive, present CROWNED: The Comedy Shutdown, a knockout battle.

On Friday, 7 August 2026 ahead of Women’s Day, the John Kani Theatre at the Market Theatre plays host to the event, bringing South Africa’s most established comedic voices head-to-head with its sharpest rising talent in a battle for R20,000 and the title of champion.

Produced by EyeUnderM Productions (Mzansi Comedy Nights) and Nomad Concepts, the evening is staged as part of the Market Theatre’s 50th Anniversary Programme, with the City of Johannesburg and the Market Theatre Foundation joining as presenting partners, lending the weight of one of South Africa’s most storied stages to a groundbreaking comedy format. Alongside the laughs sits a genuine tribute: the Doek Challenge, honouring the women in the room and the culture they carry expressed in their stylish doek drip.

Built as a high-energy, knockout-style comedy battle, CROWNED: The Comedy Shutdown brings together sixteen of Mzansi’s finest comedians as they compete to secure a spot in the Top Four, selected by the judges.

The four finalists will then advance to the knockout round, going head-to-head for the R20,000 grand prize. At this stage, the audience will also participate through a live clapometer to help decide the ultimate comedy champion. The winner takes all.

The line-up of 16 comedians battling for the crown includes Farieda, Shanray, Mfazomhlophe, Tsitsi Chiumya, Jacques Pienaar, KingSbuda, Dr Matthews, Thabiso Mhlongo, Emilio Tobias, Oscar Omuhle, Keketso Hutamo, Nhlanhla Shabangu, Nqobile Mahlangu, Sandile the Giraffe, Masibonge Mndende and Snatcho.

“Comedy is one of the most powerful reflections of society. It challenges, unites and gives voice to lived experiences, supporting platforms like CROWNED: The Comedy Shutdown speaks directly to the City of Johannesburg’s commitment to the arts and to the comedians who give this city its voice and its laughter. Through Arts Alive, we back the talent that keeps our creative economy alive, because a city that invests in its comedians and storytellers invests in its own culture and its own people,” says Mr Vuyisile Mshudulu, Director: Arts, Culture and Heritage in the City of Joburg.

Guiding the night as the host is Siphelele “Pele Pele” Mchunu, a Soweto-born comedian, actor and Jozi FM breakfast host with over 15 years in the industry and the 2019 recipient of the Savanna Audience Choice Comedy Award. Pele Pele is known for transforming raw, relatable and sometimes uncomfortably honest life experiences into comedy gold.

The competition will be adjudicated by two heavyweights of South African comedy; David Kau, one of the country’s most established stand-up comedians and a foundational figure in building platforms that launched a generation of talent. Joined by Trevor Gumbi, a multi-talented performer known for his sharp, socially conscious humour, with credits spanning Blacks Only, Comedy Central Live, and Oppikoppi to name a few.

“As part of our 50th Anniversary Programme, the Market Theatre continues to open its doors to diverse forms of storytelling and comedy remains a vital part of that ecosystem. CROWNED: The Comedy Shutdown is not just entertainment; it is a celebration of voice, community and the next generation of talent stepping onto a historic stage,” adds Greg Homann, Artistic Director of the Market Theatre Foundation.

Audience members are invited to arrive wearing their stylish doek, celebrating the heritage, identity and stories carried by women. A live, in-venue activation will crown the best doek of the night, with prizes contributed by event partners.

Keeping the energy high throughout the evening will be the dynamic female duo, DJ &NDee and DJ KayDaph, setting the tone for a vibrant and engaging experience.

Tickets are now available on Webtickets. Grab yours for R250 only to secure your seat at the CROWNED: The Comedy Shutdown before the battle sells out. Come ready not just to laugh, but to witness a crown being claimed.                       

Wall of Names

Wall of Names

For 50 years, The Market Theatre has been shaped by thousands of people, and we aim to honour them. We're inviting you to add names to this growing record of artists, directors, designers, technicians, administrators, educators, musicians, crew members, patrons, supporters and staff who have contributed to the life of The Market Theatre. At the conclusion of our anniversary year, the names submitted will be reviewed and validated before being permanently added to a wall installation at The Market Theatre. Scan this QR code to contribute a name to the record.

The Annual Parade – Hey Hillbrow! Let’s Dlala! – Is Back with “Arise!”, the Cry that Alerts, Gathers, Protects and Transforms

The Annual Parade – Hey Hillbrow! Let’s Dlala! – Is Back with “Arise!”, the Cry that Alerts, Gathers, Protects and Transforms

Hey Hillbrow! Let’s Dlala! returns for its seventh iteration, presented by The Windybrow Arts Centre and Shade in collaboration with organisations and artists from Johannesburg and beyond. This year’s procession happens on 8 August 2026, on the eve of the commemoration of the 70th anniversary of the August 9, 1956 Women’s March.

The 2026 Hey Hillbrow! Let’s Dlala! iteration is themed ARISE, taking to the skies to make a declaration against the cage and in celebration of freedom. “Just as birds migrate across lands and share messages from afar, we are taking up the airspace,” states Shade’s Tamzyn Botha, curator of the parade. “This year’s theme, ARISE, looks to the seasonal journeys of birds as a provocation for freedom, communication and collective movement.”

Working with more than 350 children and young people from Hillbrow and beyond, Hey Hillbrow! Let’s Dlala! gathers handmade bird costumes, bird dances, birdsongs and street-scale imagination into a living flock. These birds are border-crossers, message-carriers, mischief-makers and freedom-dreamers. They migrate across walls, neighbours, languages, histories and streets.

According to Gerard Bester, The Market Theatre Foundation’s Head of The Windybrow Arts Centre, the Grey Go-away-bird known as the Lourie, whose sharp call warns the bushveld when danger is near, will inspire the 2026 public procession—transforming alarm into art, warning into wonder and rebellion into play. “Hey Hillbrow! Let’s Dlala! honours the power of collective voice: the cry that alerts, gathers, protects and transforms. In Hillbrow, the call becomes a chorus. The street becomes a sky. The children become birds of warning, beauty, defiance and joy.”

As hundreds of participants from local youth organisations – Dlala Nje, Shade, Dlamini Foundation, Johannesburg Society for the Blind, Innovation of Excellence, Lefika La Phodiso, Fight with Insight, MES and The Windybrow Arts Centre – flock to the streets of inner-city Jo’burg in birdlike freedom, they’ll also be paying tribute to the unbeatable spirit of the women of 1956, who marched against pass laws as cages to reclaim their freedom of movement.

In celebrating the music of freedom, the parade will end with the mighty Kebra Ethiopian Sound System.

In the lead up to the parade, The Windybrow Arts Centre has turned into a creative makerspace for all the participants. This two week multi-disciplinary, artist residency/holiday programme ranges from Textile Design with Imbali Visual Literacy, Choral Works with Sbusiso Shozi and Muzi Radebe, Physical Theatre with Philani Tenso Mahlanga and Muzi Trust, Street Art with Rivaldo Nelson, Site Specific Theatre with Gcebile Dlamini and Parade Direction with Johannesburg Mask and Movement. The sonic library made in collaboration with the participants, will inform the soundscapes curated by Jarred Parenzee and Muhammed Dawjee.

The programme also invites youth and children to shadow these artists and production teams, to co-design the works and foster intergenerational collaboration. 

Come glide, fly and flutter as we celebrate in the streets and in the skies. Join the seventh iteration of Joburg’s most anticipated parade on 8 August 2026, starting from 10am at The Windybrow Arts Centre.

Hey Hillbrow! Let’s Dlala! launched in 2017 in celebration of the possibilities that public performance brings to public space; to share energy, laughter, surprise and play. This day was inspired by the life of Joburg public art super-heroine Lesley Perkes who died in 2015 and who had dreams for this place that others have continued to manifest.

The parade would not be possible without the generous support from Ekhaya CID, Badboys Security, Hillbrow Police, Assitej South Africa, Joburg Photowalkers, Craig Maarschalk, City of Johannesburg, Department of Sport, Arts and Culture, BirdLife South Africa and our media partner, Johannesburg in Your Pocket.

ENDS

The Windybrow Arts Centre is a division of The Market Theatre Foundation, an agency of the Department of Sport, Arts and Culture.

For enquiries, please contact Bongiwe Potelwa (Publicist at the Market Theatre Foundation) at bongiwep@marketheatre.co.za or (011) 832 1641.

Kaza Kamba Returns for 3rd Iteration at The Market Theatre

Kaza Kamba Returns for 3rd Iteration at The Market Theatre

The Kaza Kamba Pan African Theatre Festival returns to The Market from 20 – 23 August 2026. This partnership between mehlo-maya (eye-to-the-sun) and The Market Theatre is in its third year and is quickly growing into being “one of the most defining and deserving festivals of our time with a slant on Pan Africanism”, according to Daves Guzha, well-known Zimbabwean theatre producer.  

The theme for this third iteration is Memory Against Forgetting, and is based on the Milan Kundera quotation – “struggle of memory against forgetting” – from his novel, The Book of Laughter and Forgetting. This inspiration from the book balances the lightness of living without the weight of the past, with the weight and responsibility of remembering. In South Africa this rings very sharply as we navigate a particularly difficult time in our relationship to our continent.

The dynamic Kaza Kamba Pan African Theatre Festival programme brings a range of Theatre, Music, Film, Workshops and a Colloquium, as well as tables of goodies to buy.

The festival is committed to bringing together the arts with political discourse.

iPhupho L’ka Biko mainlines the festival. This very dynamic group brings to life a brand new multidisciplinary piece which revisits the Marikana massacre both in memory and mirror. Marikana Still…fontein is a lament for the fallen, for the living, a reflection on fractured solidarities and a call to reclaim a Pan-African imagination rooted in dignity, memory and collective liberation.

Southing the Sound with Yonela Mnana (piano), Lesego Rampolokeng (poetry) and Gontse Makhene (Percussion). This is an expressive artistic ensemble that fuses harmony, spoken word and ambient percussion, spearheaded by the ever fearless and provocative poet and author, Lesego Rampolokeng. Sounding the South is not just a melting pot for piano, poetry and percussion; it is an estuary of communal thought and a confluence of critical yet therapeutic reflection urgently needed in this country and beyond.

Theatre Productions include the ever relevant play Skierlik based on a tragic South African event of 14 January 2008 that took place in the informal settlement, Skierlik. Thomas returns to the place where his wife and young daughter were killed in a racially motivated shooting. This  is a story of love, loss, and hope, and paints poetic pictures with words. The play is written and performed by the skilful storyteller, Phillip Dikotla.

The Dying Need No Shoes joins us from the Kenyan International Theatre Festival. This thought provoking play, written by  Fred Mbogo, directed by Alacoque, and performed by Emmanuel Shikuku and Ann Keveli, reminds us that memory starts at home. Purity Munanda finds herself in a room with her father after years of silence and fear. All the buried trauma comes to the surface. What begins as a tense confrontation soon unfolds into a gripping battle of truth, power and survival as dark family secrets are exposed. 

A Season of Hillbrow, a re-imagination of Arthur Rimbaud’s Season in Hell, is staged by The Windybrow Arts Centre. It asks what ‘hell’ might mean in the unfinished present of post-apartheid South Africa. A Season in Hillbrow brings the fire into post-apartheid Johannesburg, where young people from Hillbrow turn the city’s abandonment and reckless multilingual life into poetry, movement, voice and collective rebellion. The play is performed by the students of The Windybrow Arts Centre and directed by Sibahle Mangena and Gerard Bester.

Kaza Kamba Film Festival includes the classic revolutionary film,  The Battle of Algiers (1966) as memory;  and Sudan…Remember Us (2024) with a discussion by the Sudan Solidarity South Africa members following the screening. This film is an important reminder of Memory Against Forgetting. The words of our poets in Word Down the Line (2015) seek to ask South African poets about our identity and political poetic journeys through Black Consciousness and Pan Africanism, asking who we are today.

Bioscope Beyond Borders is a new project that will be launched, set up as a small cinema in the Lindelani Buthelezi Gallery with 10 chairs and a range of South African films dedicated to migration and identity. People are invited to join films at any time and watch short films that are looped and run for 20 minutes. The Bioscope stands on its own, inviting the individual to watch and interpret the films as a singular experience. Bioscope Beyond Borders is a mobile festival and will be taken to any cultural events in the country, and will be presented at the Warrenton Festival in November, in the Northern Cape. 

Kaza Kamba Workshops are key to the festival, where young and old, starting out and experienced practitioners share ideas. Five workshops covering voice, music, drumming, chanting, movement, languages, are offered—including a workshop for youth and children from as young as three years.

Book Launches include Segopotso, a compilation of 17 plays from 1976 to 1986, most never published before, including Maishe Maponya, Zakes Mda, Fatime Dike and Matsemela Manaka. Edited by Vanessa Cooke, Lesego Rampolokeng, Samu Mfuphi and Bobby Rodwell.

Rising to Palestine: Africans in Solidarity for Decolonisation and Liberation, edited by Raouf Farrah and Suraya Dadoo with articles from African scholars connecting struggles from Gaza to Sudan, the DRC and Western Sahara.

Play Readings is our new development wing. Two new plays by Khutjo Green (Maki Next Door), and Jonathan Maseng (Sobukwe) will be presented to an audience for comments and debate.

The Kaza Kamba Pavement Café will be open from Thursday to Saturday night in The Market Theatre Precinct, with music and an open mic and lots of lovely food and drinks to purchase, as well as stalls with materials, clothing, earrings and all manner of goodies.

In short, there is a lot to see!

All documentary films and workshops are FREE. Tickets for plays and music shows are available on Webtickets.

Do not miss this vital festival, critical to our country today. It presents a weekend of live performances, film, workshops and debate on Pan Africanism. Everyone is most welcome!

ENDS

The Market Theatre is a division of The Market Theatre Foundation, an agency of the Department of Sport, Arts and Culture.

For enquiries, please contact Bongiwe Potelwa (Publicist at the Market Theatre Foundation) at bongiwep@marketheatre.co.za or (011) 832 1641.

For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke at AnthonyE@markettheatre.co.za and 083 246 4950, or Khanyisa Titus at

khanyisat@markettheatre.co.za and 065 955 7182.

NATIONAL ARTS AND CULTURE AWARDS (NACA) 2026 – CALL FOR NOMINATIONS

NATIONAL ARTS AND CULTURE AWARDS (NACA) 2026 - CALL FOR NOMINATIONS New