NEXT!!!

NEXT!!!

Wela Kapela Productions presents  NEXT!!! Auditions are not for the faint of heart(Best Debut Production, United Solo, New York )   6-8 December @ Market theatre Centre on the   Kippies Fringe programme.”

My sister, Veronica, and I had this double act….. The young Relebogithata, is entranced, it is the third time she has seen this show. Her bright brown eyes sparkle as she soaks up every word, every move, every nuance. As the audience leaves the theatre, Relebogilethata just sits there with a little knowing smile. She softly whispers “I want to be a star!”.

10 years later Relebogithata see-saw between working as a waitress and auditions! Yet she clings to her near-impossible dream of starring as Velma Kelly in Chicago!

Is this the right song to impress?  STEP, KICK ,KICK, TOUCH, TURN my feet hurt, I am a sweaty mess…6-7-8…I need this break…NEXT!!! In this roller coaster ride of heartache and hope, Relebogilethata bounces from one audition to the next, performing popular musical numbers to powerful isiXhosa songs by Miriam Makeba. ANYTHING to avoid the dreaded Next!!!

Against this background, Dikelo, takes the audience through the highs and lows of our feisty young performer’s journey.  She slips between the eight different character with ease, yet it is her portrayal of the feisty, fun loving Relebogilethata,  that enables her to engage in a direct, emotional conversation with the audience. Using comedy, music and dance, Relebogilethata will dazzle you.

NEXT!! is a Wela Kapela production the cabaret is a written and directed by Amanda Bothma, with Jacques Du Plessis  as musical director.

WHEN: 6-8 December 2023   WHERE: Kippies Fringe@Market Theater TIME: 19:30

PRICE: R100 pp

https://www.facebook.com/welakapelaproductions https://www.instagram.com/welakapelaproductions

Sophiatown

Sophiatown returns to The Market Theatre!

The much-loved South African theatre classic, Sophiatown, will make a return to its original home at the Market Theatre after it first premiered there 37 years ago. The multi-award-winning drama with music by The Junction Avenue Theatre Company will open in February 2024 in a dynamic new production directed by Aubrey Sekhabi, complete with a live band on stage.

The production comes to The Market after a hugely successful season in 2023 at The South African State Theatre in Pretoria. Aubrey Sekhabi, who is the Artistic Director at The State Theatre, directs this powerful and moving restaging of the iconic work.

Sekhabi has retained his creative team and cast for the Johannesburg run, which includes Lungile Cindi (Set Design), Mandala Mtshali (Lighting Designer), Zakhele Mabena (Musical Director), Bafikile Sedibe (Choreographer) and actor Terrence Ignacious Ngwila who plays Mingus.

“Dealing with the script, I realised that Sophiatown is actually a drama with music and not a musical play. The text is so rich, even if you remove the songs, it will still hold up as a powerful play,” says Sekhabi about the show.

Greg Homann, the Artistic Director of The Market Theatre, commented, “It is wonderful to be able to offer our audience this beautifully crafted version of Sophiatown at The Market Theatre. When I first saw the production at The State Theatre with a full house of school learners one Friday afternoon, I was so enthralled with how that audience connected with the history, humour, and overall impact that the work still has for us today. It’s a privilege to be able to welcome Sophiatown back to its home theatre, where it can be shared again with those that know and love it, and with those that are seeing the work for the very first time.”

During the repressive 50s, two Drum magazine journalists advertise for a tenant to come live with them in Mamariti’s shebeen in the freehold township of Sophiatown. To their surprise, a White Jewish girl from Yeoville arrives on their doorstep. Sparks fly in the milieu of Sophiatown culture that mixes Drum magazine journalism, jazz, literature, tsotsitaal and gangsterism. Audiences will be mesmerised by the musical genres of marabi, kofifi and kwela all inspired by the defiant residents of the mixed area, which, by its mere existence, was a thorn in the side of the Apartheid establishment.

Sekhabi, on the relevance of the play today, shares, “The question of identity, landlessness, education, and race relations still haunts South Africa. A piece like Sophiatown reminds us of how far we have come and how much work still needs to be done to create a better South Africa”.

The play was a product of The Junction Avenue Theatre Company’s workshop method in the mid-1980s of sourcing stories from the lived reality of the people of Sophiatown and then distilling these nuggets to produce the text.

The cast includes Terence Ngwila (as Mingus), Sindisile Nkuna (as Mamariti), Gaby Georgeson (as Ruth), Mncedisi Hadebe (as Charlie), Tshallo Chokwe (as Fahfee), Princess Sechele (as Princess), Zimi Mphefu (as Lulu), Sechaba Ramphele (as Jakes), and Sandisile Dlangalala (as the understudy to Jakes). Philisiwe Ntintili assists Sekhabi on the director’s seat. The band members include Khutso Nkwana, Thebe Mmushi, M’Kaddesh Magadagela, Surprise Mshwana and Oupa Makhubela.

The production runs at The Market Theatre from 27 February to 24 March, with matinees for schools during the week and various weekend performances for the public. Book early via Webtickets for this theatre classic that is guaranteed to move you.

ENDS

For media enquiries please contact Lusanda Zokufa (Brand and Communication Manager at the Market Theatre Foundation) at lusandaz@marketheatre.co.za or (011) 832 1641 or 072 367 7867.

For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development) at AnthonyE@markettheatre.co.za or 083 246 4950.

New Energy as The Market Theatre lines up its end-of-the-year programming.

New Energy as The Market Theatre lines up its end-of-the-year programming.

This festive season, The Market Theatre has an exciting family-friendly end-of-the-year programme on offer with two brand-new South African plays on its stages.  

The Market Theatre has enjoyed a period of newfound energy and success in the recent months under the leadership of its new Artistic Director, Greg Homann, who took up the role in January. Across a remarkable year of diverse work, the theatre has presented outstanding productions such as Mpume Mthombeni and Neil Coppen’s Isidlamlilo, J Bob’s Tshabalala’s Khongolose Khommanding Khommissars, and the stage adaptation of Damon Galgut’s The Promise, along with a lineup of sensational music concerts that has included Billy Monama’s Mayibuye iAfrika, The Mahotella Queens, The African Jazz Pioneers, and Desire Marea. It hosted three festivals, namely Jomba! @ The Market with innovative international dance performances, WOMAD @ The Market celebrating world music diversity, and The Cradle of Creativity for young audiences. In August, The Market Theatre paid a fitting tribute to John Kani on the occasion of the legendary actor’s eightieth birthday. This month it relaunched the newly refurbished Barney Simon Theatre with the award-winning dance-drama from the Cape, Karatara, based on loss experienced around the Kynsna fires of 2018.

The Market Theatre is now gearing up for a festive season filled with entertainment, laughter, and inspiration.

The theatrical centrepiece of this end-of-the-year programming is the brand-new South African comedy A Marry Little Christmas, written by Homann himself. The play was commissioned during the 2020 pandemic shutdown by How Now Brown Cow Productions, who are now co-producing the work in partnership with The Market Theatre.

The laugh-a-minute new comedy is being brought to life by an outstanding cast of nine, directed by the multiple award-winning Charmaine Weir-Smith.

Set against the backdrop of an unnamed golf estate on the north-west edge of Johannesburg, the story revolves around Arnold Hartmann, who, at 45 and three-quarters, aims to propose to Natalie Cloete before hosting the perfect ‘traditional’ Christmas lunch. However, chaos ensues as both families arrive prematurely, leading to hilarious chaos and misunderstandings.

Homann shares, “This play has been a few years in the making, with the initial idea for it dating back to an animated festive lunch with my own family. Although not based directly on any one Christmas gathering, the roots of it are deeply connected to my own family’s dynamics and antics.”

The sensational cast features some of South Africa’s best loved talent and stars, with Antony Coleman and Kim Cloete returning to The Market as the leading couple at the centre of the comedy. They are joined by James Borthwick, Judy Ditchfield, Louise Saint-Claire, Ilse Klink, Roberto Pombo, Zolani Shangase, and Trevor Lynch.

A Marry Little Christmas will premiere on the John Kani stage from 29 November to 24 December. It is a must-see production for the holiday season.

For a younger audience, The Market Theatre, in collaboration with the Windybrow Arts Centre, is presenting The Terrified Talabalushi, a new play with music for children, directed by award-winning Omphile Molusi. It features live music by multi-instrumentalist and composer Volley Nchabeleng who is creating an immersive atmosphere and sound for the play. Bringing this playful and meaningful adventure to life is The Kwasha! Theatre Company, known for their production Skin We Are In which has travelled to many schools this year, along with actors Sanelisiwe Yekani and Siyambonga Mdubeki.

Set in the Knysna forest, The Terrified Talabalushi follows Tokkie, a young Talabalushi who is terrified of everything, but mostly the light.

The Terrified Talabalushi is a fun filled play that promises to be an excellent way to explore the emotions of fear in a safe and entertaining way, while growing a love for the theatre. Don’t miss the opportunity to share in this heartfelt, enriching, and lively theatrical experience, perfect for all audiences.

If you, your family, and friends are looking for something different to do this festive season, then The Market Theatre is the place to be, offering a diverse range of performances that cater to all audiences.

THE MARKET THEATRE CALL FOR APPLICATIONS ZWAKALA FESTIVAL DIRECTOR

THE MARKET THEATRE CALL FOR APPLICATIONS ZWAKALA FESTIVAL DIRECTOR

The Zwakala Festival continues to remain one of South Africa’s most dynamic theatre festivals aimed specifically at community-based theatre-makers. The festival’s main aim is to improve the skills of writers, directors, designers, and actors. It empowers them to create and produce local content of a high standard and trains the next generation of community arts leaders, arts entrepreneurs and administrators. It also takes participants through a journey of both the creative and practical sides of producing a professional theatre piece.

The Market Theatre is  seeking to appoint, on a fixed term basis, a dynamic individual to be a Festival Director of the 30th  Zwakala Festival.

RESPONSIBILITIES:

  • Selection of productions to participate in the festival through showcasing
  • Provide dramaturge and artistic input to  groups selected to participate in the 30th Zwakala Festival
  • Regular visits to groups in preparation for the festival
  • Provide regular feedback to groups
  • Schedule the performances for the festival
  • Oversee the successful implementation of the 30th Zwakala Festival

REQUIREMENTS

  • A degree or relevant qualification in the arts
  • A minimum of 5 year experience in the development of theatrical productions
  • Proven experience in working with community based arts organisations
  • Proven track record of mentoring in theatre and leading to mounting a production
  • Be able to understand and / or speak three African languages

Interested applicants to submit a one pager motivation indicating their experience working as Director or mentor  in theatrical production. Outlining their experience in working with community arts organizations. A detailed CV.

Applicants should be available on 15 -17 December 2023 and from 16 January to 1 March 2024

Applications should be sent via email to: proposals@markettheatre.co.za

Closing date: 04 December 2023

THE MARKET THEATRE CALL FOR APPLICATIONS ZWAKALA FESTIVAL CO-ORDINATOR

THE MARKET THEATRE CALL FOR APPLICATIONS ZWAKALA FESTIVAL CO-ORDINATOR

The Zwakala Festival continues to remain one of South Africa’s most dynamic theatre festivals aimed specifically at community-based theatre-makers. The festival’s main aim is to improve the skills of writers, directors, designers, and actors. It empowers them to create and produce local content of a high standard and trains the next generation of community arts leaders, arts entrepreneurs and administrators. It also takes participants through a journey of both the creative and practical sides of producing a professional theatre piece.

The Market Theatre is  seeking to appoint, on a fixed term basis, a dynamic individual to be a Festival Coordinator of the 30th  Zwakala Festival.

RESPONSIBILITIES:

  • Working closely with the Festival Director in mentoring of community based arts groups
  • Support the play development process working closely with the Festival Director.
  • Oversee all logistics including festival coordination, festival planning, implementation and reporting.
  • Provide administrative support to the Festival Director

REQUIREMENTS

  • A relevant qualification in the arts
  • A minimum of 2-3 years experience in the development of theatrical productions
  • Proven experience in working with community based arts organisations
  • Project Management skill
  • Be able to understand and / or speak three African languages
  • Valid Drivers Licence

Interested applicants to submit a one pager motivation indicating their experience in administration of arts projects. Outlining their experience in working with community arts organizations. A detailed CV.

Applicants should be available on 15 -17 December 2023 and from 16 January to 1 March 2024

Applications should be sent via email to: proposals@markettheatre.co.za

Closing date: 04 December 2023

Expelled

Expelled

Rosalind Butler’s new South African play – EXPELLED – premieres at the Baxter Theatre and transfers to The Market Theatre in 2024 – bookings are now open!

How Now Brown Cow Productions in association with The Market Theatre is excited to bring a local, topical, powerful, new work to the South African stage. 

Expelled is a play about social media’s power to connect and its power to destroy.  Can a few minutes of bad judgment ruin a life?  

The production has its South African Premiere in Cape Town at the Studio Theatre at The Baxter on Wednesday 7 February, running for a limited season until 2 March 2024. It then transfers to The Market Theatre from 7 to 31 March 2024.

Expelled is a family drama which focuses on the largely ungoverned world of social media.  Alex, a Matric pupil at an elite school, gets caught up in a viral scandal and is suspended. Once shared, lives alter in seconds, what’s seen cannot be unseen.  The ramifications for his family are profound.   

Written by Rosalind Butler, Expelled was created out of How Now Brown Cow’s script development program, The Writers’ Collective during lockdown in 2021.   Directed by Craig Freimond, the cast features Charmaine Weir-Smith and Antony Coleman alongside Nicolas Hattingh. Designs for the production are by Kieran McGregor and Daniel Rutland Manners.

The topicality of Expelled immediately appealed to How Now Brown Cow and we are proud to have nurtured it’s development through The Writers’ Collective,” says Julie-Anne McDowell, founder of and producer at How Now Brown Cow.  “It is a pertinent play for our social media obsessed world, and we believe it’s critical impact will resonate loudly for years to come.  We all need to witness this valuable story.”

Performances will take place Wednesday to Saturday during the season with evening performances at 19h00 and matinee performances on Saturdays at 15h00 and Sunday performances at 15h00. There will also be additional schools’ performances at 11h00 on Thursdays during the run.

Age advisory: PG 14+

Tickets are also available via Webtickets with Early Bird discounts up until 29 February 2024.

For reduced price block bookings (of 10 or more) and school groups, contact Anthony Ezeoke (Audience Development) at AnthonyE@markettheatre.co.za or 083 246 4950.

ENDS

NOTES TO EDITORS:

How Now Brown Cow:

How Now Brown Cow was launched in 2020 during a global pandemic. The company, founded by Actor and Writer Julie-Anne McDowell, was established to offer world class South African and international works for local and international audiences and stages. Daniel Galloway, who was The Fugard Theatre’s Managing Director and Lead Producer from 2009 to 2020, is the General Manager and co-Producer alongside Julie-Anne. During the global theatre shutdown of 2020 and 2021, How Now Brown Cow launched the How Now Brown Cow Writer’s Collective which saw the commissioning of 12 new South African scripts several of which are now in the next phase of development. In 2022 the Production Company released their first short film, The Hive, which was screened to critical acclaim on the international and local film festival circuit. The Beauty Queen of Leenane was How Now Brown Cow’s first stage production in South Africa which was presented in Johannesburg in October 2022 and Cape Town’s The Baxter Theatre in August 2023. The production won five Naledi Theatre Awards, including Best Production of a Play. How Now Brown Cow will be staging 3 new productions in the coming 16 months. For more information, please visit www.hownowbrowncow.co.za

Creatives and Cast:

Rosalind Butler (Writer):

After graduating from UCT Drama School, Rosalind worked as an actress, improviser, and director.  She focused on her passion, writing, early in her career and has been entertaining South African television audiences for many years. Her first big break was co-creating and head-writing the acclaimed children’s series Soul Buddyz.  Another highlight was developing and writing SABC’s Home Affairs, nominated twice for Best TV Drama Series for The International Emmy Awards in New York. Rosalind worked on the iconic daily drama Isidingo for more than a decade. She co-wrote the story for the popular feature film Material.

Her play An Unromantic Comedy, loved by audiences and critics, was nominated by The Naledi Awards as Best New Script.  Rosalind loved writing on Lioness, M-Net’s hit drama.  She has been nominated countless times and has won a number of awards.  She loves new challenges and is on a constant quest to become a better writer.  Rosalind is delighted to be working with How Now Brown Cow on Expelled her latest play.  It is an explosive piece combining high drama and dark comedy.  Expelled explores a universe many inhabit but few understand its influence and power.

Craig Freimond (Director):

Craig is an award-winning South African writer and director in theatre, film and television. His plays include The King of Laughter, Jump Ralph Jump and Gums & Noses. He has directed more than fifteen plays including The Great Gatsby, Macbeth, Talk Radio, Sweet Phoebe, Gums & Noses and Death of a Colonialist.

He has written and directed five feature films, Gums & Noses, Jozi, Material, Beyond the River and New Material. New film projects include the SA political satire Weekend Special and the human drama The Road to Broad Bay, a SA / NZ co-production. Craig also wrote the hit Nigerian film Oloture, and the sequel Oloture 2 is now in postproduction. Both were for Netflix.

Craig’s television work includes the true crime drama Beneath an adaptation of Alex Yeliseev’s book Cold Case Confession. He is also working on Devil’s Town, for Mnet and Ochre pictures based on the Krugersdorp murders. He wrote the hit Nigerian series Blood Sisters with Zelipa Zulu and is currently working on Blood Sisters 2.

Craig’s telenovela and daily drama experience includes thirteen years on the hit series Rhythm City, where he worked as a writer, story liner, breakdowner, script editor and mentor. He worked with Zelipa Zulu for ten years on this series. Last year with Zelipa Zulu, he co-head-wrote the new legal telenovela Briefs for SABC3.

For more information: www.craigfreimond.com

Designer(s):

Kieren McGregor (Set and Lighting) and Daniel Rutland Manners (Video)

Charmaine Weir-Smith:

Charmaine is an award-winning actress and director. She has performed in and directed over 40 theatre productions. Charmaine’s breakout role was Ophelia in Hamlet for which she won the Vita Award for Best Supporting Actress followed by Daisy in The Young Visitors – Vita Nomination for Best Actress, Agnes in Agnes of God, Kitty in Charlie’s Aunt, and Em in A Story of an African Farm. Charmaine received the Naledi Theatre Award for Best Actress in a Comedy for 2 4 The Price of 1 and for Sylvaine Strike’s Pregnant Pause a Naledi Theatre Award Nomination for Best Actress. She played the lead in Rosalind Butler’s An Unromantic Comedy and for six seasons, Charmaine played Shanell in Paul Slabolepszy’s Suddenly the Storm for which she was nominated for Naledi and Fleur du Cap Theatre Awards.

Charmaine’s directing credits include: The Vita nominated musical I Love you, You’re Perfect, Now Change, Annie – Vita Award for Best Musical Production, Big Band Blast – Naledi Award for Best Musical, Captain Entertainment – Naledi Award Best Revue, Paul Slabolepszy’s Freak Country, Tale of the Allergists Wife and Glorious. She directed Nick Boraine in his one-man show Sic which toured South Africa and had a successful off-Broadway run in New York. She directed Athol Fugard’s The Train Driver for The Market Theatre for which she won the Naledi Award for Best Director. In 2022, Charmaine directed The Beauty Queen of Leenane for How Now Brown Cow Productions which had a successful Johannesburg season, winning 5 Naledi Theatre Awards including Best Director for Charmaine and Best Production before transferring to The Baxter Theatre. In 2023, Charmaine directed a sold-out season of Nothing But The Truth for The Theatre on the Square and Sello Maake KaNcube productions.

Charmaine’s television and film career has spanned more than two decades with lead roles in South Africa’s popular daily soaps – Generations, Isidingo, Binnelanders and Scandal. She could be seen in the UK ITV production of Wild at Heart playing Sienna Ruiters and in Showmax’s The Girl from St Agnes.

Her latest film credits include Netflix’s Jadotville and The Jakes Are Missing.

Antony Coleman:

Antony Coleman is a celebrated South African actor and is much loved (and hated) for his roles both on screen and on stage. He is most renowned for his work as the villainous brother David King in the SABC production High Rollers. With over thirty years of experience in the industry, Antony has numerous award-winning film, television, presenting, theatrical, corporate and voiceover campaigns under his belt. Antony graduated from Wits University with a BADA(Hons) Degree majoring in Performance, Directing and Scriptwriting.

Antony has acted in a number of award-winning films, including the Oscar nominated Blood Diamond and Gums and Noses for which he won Best Actor at the New York International Independent Film Festival. He has six Vita Award Nominations for his work in theatre and two SAFTA nominations and one win for Best Actor. He also won Best Supporting Actor at the Naledi Theatre Awards for his performance in Pale Natives at the Market Theatre. His most recent theatrical work includes an adaptation of Ferdinand Oyono’s Houseboy by William Kentridge at the Centre for the Less Good Idea and at the Redcat Theatre in Los Angeles.

Nicolas Hattingh:

Nicolas has appeared in several South African theatre productions. Nicolas has appeared in, Joburg Ballet’s productions of Giselle and Snow White. Most recently, he received his first Naledi Theatre Award for Best Actor in a Student Production for his role as the Emcee in Redhill High School’s production of Cabaret. Nicolas has ten years of formal dance training and is trained in dance styles such as ballet, modern and contemporary dance. This is Nicolas’s first dramatic stage production, and he is very excited to take to the stage as Alex in Expelled.

Patisserie Femme

Patisserie Femme

Three Pillars Productions presents Patisserie Femme as part of the Kippies Fringe Programme.

22 – 24 November @ 19h30.

Patisserie Femme is a delicious satire based in a Cape Town bakery. The performers “zip” in and out of character whilst exploring the bakery dedicated to selling not pastries or cakes, but women (and cookies). The audience witnesses tense employee interactions, but some funny and heart wrenching confessions by key pantry ingredients too – namely Cherry on Top & Yeastica/Yeastiesha. Whilst being comedic, Patisserie Femme also tackles issues of societal conventions related to women’s bodies. From Sugar Babies to Buns in The Oven, this play is sure to make its audience think, laugh and most importantly, talk.

Duration: 55 minutes

Performers: Liphelo Matthews &

Nomfundo Selepe

Ages 16+

Tickets R100

Written and Directed by Jessie Diepeveen in association with the National Arts Council.

“ A must watch! “

“ I was blown away by the energy of the duo

and their

great chemistry. You can see it . You can feel it “

The Terrified Talabalushi

A BRAND NEW SOUTH AFRICAN PLAY FOR CHILDREN AT THE MARKET THEATRE

The Market Theatre and the Windybrow Arts Centre is excited to end the year with a fresh South African offering for children, their family and friends. In a year that brought a range of excellent theatre experiences for young audiences to the Market Theatre Foundation, with the Cradle of Creativity Festival alone delivering over 5000 audience members, The Terrified Talabalushi, by acclaimed Cape Town-based writer, Megan Choritz, now comes to The Market.

The Terrified Talabalushi is a theatre piece with music for children, directed by award-winning, Omphile Molusi and composed by the multi-talented Volley Nchabeleng. The Kwasha! Theatre Company, who have visited schools this year with Skin We Are In, is joined by two seasoned actors, Sanelisiwe Yekani and Siyambonga Mdubeki to bring this playful and meaningful adventure to life.

Set in the Knysna forest, the protagonist is Tokkie, a terrified young Talabalushi. Tokkie’s family have reached their wits’ end because their youngest, Tokkie, is terrified of everything, but mostly he is terrified of the light. This means that he can’t go out scaring, which is what he is meant to do.

Most people don’t know what Talabalushis are, which isn’t surprising – they are very secretive and are only active after sunset. A Talabalushi is a small, Southern African, mischievous creature, a combination of a goblin, a spirit, and a tree creature found in the unseen side of South African forests, and sometimes even closer to our villages, towns, and cities. 

Talabalushi came about to scare, confuse, and disrupt humans when they get too big for their boots. It is said that they are distantly related to the tokoloshe, but nobody has ever been able to prove it.

In 2019, the play was selected to be part of the ASSITEJ South African leg of the African Playwriting Competition. For this premiere production of the play at The Market Theatre, Megan Choritz has, in consultation with director, writer, and dramaturg Omphile Molusi, developed the script further.

Choritz shares, “I had the best and most productive time with Omphile. What a gift, to work with him. He is thoughtful, kind, brilliantly clever, naughty and fun. He has helped me turn The Terrified Talabalushi into such a delightful text and I know it will grow, change, and evolve on the rehearsal floor.”

Omphile has brought together a formidable creative team to create a fun and delightful experience bringing the Knysna forest and some of its creatures to The Market Theatre. Multi-instrumentalist, composer, and percussionist, Volley Nchabeleng, is adding live music to the work which will undoubtedly create a fitting atmosphere and sound to the world of the play.

This production promises to be an excellent way to explore the emotions of fear in a safe and entertaining way, while growing a love for the theatre. Join the excitement and head to The Market Theatre for an end-of-the-year storytelling treat in this heartfelt, enriching, and lively theatrical experience.

Tickets range from R120 – R150 per person, with special prices for groups of 10 or more. Tickets available through Webtickets.

For media queries please contact Lusanda Zokufa – Brand and Communications Manager  at 072 367 7867 or lusandaz@markettheatre.co.za

For special group discounts contact Anthony Ezeoke at (011) 832 1641 ext 203 or 083 246 4950.

ENDS

ABOUT

Megan Choritz – Writer

Megan is a South African born playwright, writer, actor, director and improviser. She has spent all her life involved in making things up. She has written and co-written numerous plays and musicals, performs and directs theatre and improvises and teaches improv.

In 2020 her rhyming children’s book The Big Bird Battle was published by Penguin Struik. She is currently waiting to hear if her screenplay Green Margie and the Starlight will be made into a movie. Her plays The Tent, Clouds Like Waves, and Drive With Me all achieved critical acclaim, and her novel Lost Property, published in June 2023 has been incredibly well received.

Omphile Molusi – Dramaturg and Director

Omphile has been writing, directing, producing, and acting for theatre and TV since 2001. He is a published playwright with 6 titles and one article (Theatre of the Native Tongue). Molusi teaches playwriting and screenwriting at The Market theatre Laboratory and is an advisor for the UJ Playwriting laboratory. He’s also a storyliner and scriptwriter for television. Some of the shows he’s written for TV include Zone 14 drama series, It’s for life 9 reality show and Scandal!. He also wrote a short film Red Tape for Black Entertainment Television. He is the founder and artistic director of TsaMmu which has been organizing playwriting, screenwriting short courses and festivals since 2017.  In 2007 he became the first recipient of the Brett Goldin Bursary Award, which gave him an opportunity to further refine his craft at the Royal Shakespeare Company in the UK. He was awarded the Scotsman Fringe First Award 2008 at the Edinburgh Fringe Festival in Scotland and won the Andre Deshields award for best performance at the Black Theatre Alliance Awards 2010 in Chicago, USA. He recently won the ASSITEJ Inspirational Playwright Award in 2021.

Volley Nchabeleng is a versatile multi-instrumentalist, composer, and percussionist, with about 20 years of experience touring the globe as ambassador of African sound, sharing and collecting African indigenous instruments, and an amazing performer, teacher and producer.

Volley Nchabeleng was born in South Africa in1978, he hails from the village of Masemola (Thabampshe), Limpopo Province.

He is one of multi-talented and versatile international percussionist in his right. Studied music at Sibikwa Arts Centre from the year 2001 and at the UNISA, worked with Drama for Life for 5 years as playback theatre musician. His musical genius resonates from a rather versatile perspective and the influence of world diverse sounds, He played music both in Africa, Europe and Asian continents; his tours include India, Belgium and Holland, Germany, France, Australia just to name few.

Volley composed music for theatre productions, “Africa My Love” and “Makhulu” by Portia Mashigo which toured Europe between 2009 and 2012, “eKhaya” by Tribhangi Dance Company “Morwa the Rising Son” by Tefo Paya and directed by Warren Nebe, which won Standard Bank Silver Ovation Award at NAF 2015. “PALEHO”by Lebo Leisa 2016, ANKOBIA by Monageng “Vice” Motshabi and Omphile Molusi, just to name a few.

PHUMAN’EBHABHILONI

PHUMAN’EBHABHILONI

As part of the Kippies Fringe Programme of 2023, Kitso Seti presents PHUMAN’EBHABHILONI, a sonic movement. 

Kitso Seti is a Cape Town based artist of music (Hip Hop and Spoken Word) and Theatre. His work is premised on understanding what the being of Blackness entails in the world. His latest projects ‘eKhayelitsha’ and ‘Lot’s Wife: The Curse of Hoza & Ngxobongwana’ – which can be found on all digital music platforms – deal with the love and hate relationship he has with the township. Both tapes investigate how we arrived to now, from the times of colonization, investigating all that entails Blackness and campaigning for Black unity. Recently, he released his live room session, From the Books of Jeremiah: A Young Black Laments (2020, on YouTube), and participated with a live band to produce the live concert, PHUMAN’EBHABHILONI (2021).

From 2014 he involved himself with theatre, beginning with aUCT competition called Res4Res Festival which takes place per year. He won an Innovative Play award with his team in 2015. He later produced Imbawula, which won the Best Writer and Best Innovative Play at the Res4Res Festival in 2018. The show was later shown at the Baxter Theatre in July and December 2019. He is finalizing the writing process of his new play, Four Fathers: Bananas for the Baboons under the Masambe Writing Residency at the Baxter Theatre, a project by Lara Foot, the CEO of the Baxter. Kitso is part of the cast of Dipalo which won the Bronze medal in the Standing Ovation awards of the 2021 National Arts Festival. He hopes to grow as a theatre-maker and an art critic. His paper, The Land of Many Mothers (2020), a review of Nwabisa Plaatjie’s play When We Awake, (2020) can be found on iLiso Magazine

He runs a journal titled .ngaphakathi. where he writes theatre reviews and has recently wrote a feedback of Thando Doni’s Ndiza Kuwe.

Kitso Seti has also performed in Durban and Johannesburg, and has shared the stage with such prolific artists as Makhafula Vilakazi, Aymos, iPhupho L’ka Biko, LaliBoi, Thandeka Mfinyongo, Tankiso Mamabolo, Odwa Bongo, and Ndlulamthi, just to mention a few.  

Live at Kippies, at the Market Theatre, the Black Consciousness Spoken Word artist is accompanied by his family, including the Pan-Africanist band iPhupho L’ka Biko, the Johannesburg based poet Sabelo Soko, and the Cape Town based poetry duo Tongue Twisters Collective. PHUMAN’EBHABHILONI is a synthetic fusion of Spoken Word, Poetry, and Jazz. 

iPhupho L’ka Biko has just released its EP titled Azania, and can be found on all digital music streaming platforms. They are currently working on an album. Sabelo Soko has two projects on all digital music streaming platforms, ‘Umkhondo’ & ‘Spin Venek’. The Tongue Twisters Collective is working on blessing us with their music. Be sure to catch these amazing artists on a venue near you. 

Be sure to catch this sonic movement from the 2nd to the 4th of November at 19:30 daily. Tickets are found at Webtickets at R100 each. 

A Story I’m Here to Tell 

A Story I’m Here to Tell

Ziwe Lufefe will be presenting his production, A Story I’m Here to Tell, at the Kippies Fringe Festival over a three-day period. A Story I’m Here to Tell is a series of stories that take the form of songs and come together to form a larger narrative. A narrative that takes the listener on a musical journey that is designed to make them think deeply and feel even deeper. As the author relays these stories, he hopes that the listener will relate to what is being shared while also reflecting on their own story as well.
 
It is a chronicle of our collective history as humanity, our history as a nation, as well as the personal history of its author. It takes the audience on a journey that begins at the very formation of the world and looks at the relational brokenness that humanity has experienced. A relational brokenness that results in atrocities in the past such as Apartheid, and atrocities in the present such as murder, theft, and corruption. It is careful not to dwell on pain and indulge in gore but looks at the redemption of humanity from a psychological, spiritual, and socio-economic perspective.
 
Multiple topics are tackled in this production. Topics such as such as history, agriculture, depression, familial relationships, life in the hood, the government, and romantic relationships. They are woven together using a combination of lyrical mastery and melodious musical accompaniment.
Being experimental in nature, the work integrates several genres including Maskandi, Hip Hop, Mbaqanga, Jazz, Spoken Work, and Seben. These genres are married together by Ziwe Lufefe who is the writer and composer of the music and lyrics, and the Lo Lights, a band renowned for its ability to effortlessly navigate different genres and soundscapes. The band itself comprises of many members but for this show, it shall be represented by Bhungz the bassist, DB Mundukz the drummer, Emang the guitarist, Adept Felix the keyboardist, and Kuhle the vocalist.
 
It is a show that is suitable for the entire family, but parental guidance is advised as some of the topics are of a heavy nature. It has moments of depth and intensity, but catchy hooks and improvised tangents help reign in the difficult subject matter.
 
There shall be 4 performances of the show, which include a matinee on Saturday.
 
This show will run from 16 to 18 November.
The show dates and times are:
16 November 2023 at 19:30
17 November 2023 at 19:30
18 November 2023 at 15:00
18 November 2023 at 19:30
 
Tickets are charged at R100 per person and are available through Webtickets.
 
We look forward to seeing you there.
For more information, please contact Ziwe Ntshiba on 060 947 7272 / ntshibaziwe@gmail.com