SKIN WE ARE IN: A Thought-provoking play for the times we are in

SKIN WE ARE IN: A Thought-provoking play for the times we are in

The Windybrow Arts Centre and Turquoise Harmony Institute, in partnership with ASSITEJ SA and the South African Human Rights Commission (SAHRC), present the return of Skin We Are In, following its previous successful tours. This thought-provoking piece is set to start touring schools, festivals and community spaces from 10 March 2026, engaging young audiences in meaningful dialogue.

Originally performed by the Kwasha! Theatre Company, the production now features an all-new cast, bringing renewed energy and perspective to a story that remains deeply relevant.

It is directed by Mosie Mamaregane.

Skin We Are is based on the acclaimed children’s book of the same title, authored by Dr Sindiwe Magona and Professor Nina Jablonski and published by New Africa Books). The book, available in all 11 official South African languages, addresses the historical misuse of science to justify discrimination – particularly during apartheid – and reframes skin colour as something natural, meaningful, and often misunderstood.

Adapted for stage by award-winning playwright for young audiences, Omphile Molusi, the play offers an enriching theatrical experience designed to support conversations around race, belonging and shared humanity. 

Through storytelling, music, and audience interaction, the piece introduces complex ideas in an age-appropriate and engaging way. Grounded in scientific research, the production challenges misconceptions about skin colour, emphasising that skin tone accounts for only 0.001% of human biological difference.

“Children are born with the innate ability to want to live, learn and adapt. If anyone can learn to look beyond small differences, to appreciate variety and value people for who they really are, it’s them,” says Dr Magona, on why the play continues to be an essential viewing for young audiences.

“Performances of Skin We Are In will allow more young people access to valuable research and ideas that already exist in the book,” she adds. “It can also inspire teachers to shift conversations around skin colour and help foster healthier attitudes.”

Gerard Bester, Head of The Windybrow Arts Centre, thanks Turquoise Harmony Institute and ASSITEJ South Africa for making sure this work reaches more audiences. “This project,” Bester continues, “will create public forums through theatre and post-performance workshops, engaging young audiences, teachers and parents, that will challenge social biases and discrimination, foster empathy and create a safe space for necessary dialogue on identity.”

For Turquoise Harmony Institute, the production forms part of its broader commitment to social cohesion and inclusive education across diverse communities. Through arts-based learning, the Institute seeks to  create safe spaces for young people to explore identity, challenge prejudice, and build empathy. The 2026 tour reflects the Institute’s ongoing work with schools to nurture dignity, mutual respect and shared humanity.

 

“ASSITEJ SA is proud to partner with the production in order to reach more schools and youth in Gauteng. As an organisation, our work ensures access to the arts, supports artists, empowers education and connects and advocates for the role of the arts in the lives of children and young people,” says Yvette Hardie, Director: ASSITEJ South Africa and Honorary President: ASSITEJ International Association for Theatre and Performing Arts for Children and Young People.

Hardie adds that the play will also be promoted as part of ASSITEJ SA’s Take A Child (Teen) to the Theatre Today campaign, which celebrates the World Day of Theatre for Young Audiences on 20 March each year.

Tshepo Madlingozi, Commissioner: Anti-racism, Education and Equality Office at SAHRC, says “Skin We Are In” speaks directly to the Commission’s key programmes, such as calling out for the phasing out of state racial classification, sensitivity and diversity training, Schools’ Model Code of Conduct as well as the Rights and Responsibility Campaign.

“All of the above are anchored on and inspired by our National Question Campaign, which ultimately seeks to proactively create a South Africa where everyone has a sense of affective and material belongingness. The creative arts have a pivotal role to play in this regard. As an independent constitutional body, we are humbled and honoured to join this wonderful initiative,” concludes Commissioner Madlingozi.

Don’t miss this insightful, thought-provoking piece that equips young audiences with the skills, vocabulary and psychology to embrace difference.

ENDS

The Windybrow Arts Centre is a division of The Market Theatre Foundation, an agency of the Department of Sport, Arts and Culture.

For media enquiries, please contact Bongiwe Potelwa (Publicist at The Market Theatre Foundation) at bongiwep@markettheatre.co.za or (011) 832 1641.

For reduced price block bookings and school groups, contact Anthony Ezeoke (Audience Development Specialist) at AnthonyE@markettheatre.co.za or 083 246 4950.

ECHOES OF THE SOUL 

Echoes of the Soul

Echoes of the Soul 

Multi-award-winning Afro-soul artist, composer and performer, Berita, gears up for a landmark, one-night-only music concert performance – Echoes of the Soul – at The Market Theatre. Supported by the SAMPRA Development Fund, the concert will take place on 1 May  2026 in the John Kani Theatre.  

Born in Zimbabwe, Berita is a multi-award-winning singer-songwriter whose music resonates deeply with audiences across Africa and beyond. First introduced to South Africa in 2012 through her debut single ‘Thandolwethu’, Berita’s music is a rich blend of Afro-soul, jazz and pop influences, offering a soundtrack for life’s diverse experiences. Her music explores themes of love, resilience and empowerment, resonating with audiences worldwide. 

Marking over a decade of captivating South African audiences, Berita is set to elevate her authentic Afro-soul signature to new heights with this concert. For this second edition, she will be accompanied by a dynamic 9-piece ensemble and also feature hand-picked guest artists, creating a lush musical experience designed specifically for the intimate and prestigious atmosphere of The Market Theatre.  

“This show is a homecoming for my music and my spirit,” shares Berita. “Moving into the John Kani Theatre allows us to truly honour the heart. I want to share the stories behind the songs and the moments in between that have echoed in my soul over the years.”  

Audiences can expect a meticulously curated journey through Berita’s chart-topping hits and soulful renditions of beloved classics, all reimagined for a world-class theatre stage.  

Don’t miss this once-off unforgettable night that honours your heart and echoes your soul.  

Tickets for “Echoes of the Soul” are available at Webtickets. 

Safe, secure and affordable underground parking available at Newtown Junction.  

ITROTRA–MAP

ITROTRA–MAP

4th ITROTRAMAP Dance Festival at The Market Theatre 

Itrotra Art X Connection (IAXC), in partnership with leading South African and international cultural institutions, proudly presents the 4th edition of the ITROTRA–MAP Dance Festival, taking place from 27 February to 7 March 2026 across Soweto and Johannesburg. This project has been funded by the Barloworld Empowerment Foundation. 

Hosted at The Market Theatre, University of Johannesburg Arts & Culture, Alliance Française of Johannesburg, Goethe-Institut South Africa, Bapedi Hall (Soweto) and selected schools, the Festival reaffirms its position as a vital Mobile Art Platform (MAP)—connecting artists, audiences and communities through movement, dialogue and social engagement. 

 The 2026 edition unfolds under the powerful theme: “SAFE SPACES, SAFE LIVES.”  

The Festival is co-curated by Gaby Saranouffi (Madagascar/South Africa) and Moeketsi Koena (SA).  Both are internationally respected choreographers, educators and cultural leaders whose shared vision continues to position ITROTRA–MAP as a leading contemporary dance platform on the African continent. 

Anchored in the conviction that a clean environment is a human right, and so is the right to live free from violence, the Festival positions contemporary dance as a catalyst for social  reflection, resistance, healing and transformation. Through performances, films, workshops, flash mobs, exhibitions and public conversations, ITROTRA–MAP confronts urgent realities of gender-based violence and femicide (GBVF), environmental justice, masculinity, mental health and human dignity.

 Rooted in the legacy of the ITROTRA International Contemporary Dance Festival of Madagascar – now in its 17th international edition – the South African chapter continues to strengthen Afro-global artistic exchange. The Festival brings together established and emerging artists from South Africa, Madagascar, Mozambique, Sweden, France and Germany, presenting a rich interdisciplinary programme that includes high-calibre contemporary dance and dance-theatre performances, circus and youth-focused works, dance film screenings and artist talks, professional choreographic residencies and workshops, school performances and community outreach initiatives as well as an immersive GBVF-focused visual art exhibition.  

 The Festival will open on 27 February 2026 at The Market Theatre (Barney Simon), forming part of the theatre’s 50th anniversary celebrations. The opening will launch with a powerful triple bill featuring a spoken-word performance by Kgotso Koena with live saxophone by Karabo Mohlala. Again, Moeketsi Koena will present MEKGWA – Habits (Reimagined), while Luthando Arts Academy will showcase SEHOKOLO – Missing Link.  

 International and local highlights include works by Thierry Randriatsitohaina (Madagascar), Vincent Mantsoe (France/SA), Thabiso Pule (SA), Deus Nos Acudi–Pak Ndjamena (Mozambique), Kwanele Finch (SA) and many more. 

 Selected events will be ticketed via Webtickets, Quicket and box office; many events are free entry.