Ukutshintsha Kwekhasi

Ukutshintsha Kwekhasi

Rhasatsha Wengqiqo presents Ukutshintsha Kwekhasi as part of the Kippies Fringe Festival, the show aims to uncover and introduce innovative expressions of rhythmic and interactive poetry.

It is an integration of Jazz with spoken word, embodying a variety of emotions as the set preaches spirituality, peace and mental health awareness. 

Rhasatsha Wengqio, an award winning poet produces authentic spoken word poetry or original pieces that focus on societal issues and how we are able reinvent ourselves and be the birth givers of the future. 

The concert stands against the narrative that poetry has no value in shaping society, that it is not worthy of recognition and that it lacks variety and is unentertaining. Ours is to educate, liberate and inspire our community while also uplifting young poets. 

We can entertain but still leave a trail of knowledge. 

This will be Rhasatsha’s first performance in Johannesburg, courtesy of the Market Theatre and their Fringe programme, please come support her by watching her show from the 8th November to the 12th November. 

Come deal with reality, traumas and go home as a new person that wants to practice positivity.

Nkoli: The Vogue Opera

Nkoli: The Vogue-Opera
A show like no other

Philip Miller in association with The Market Theatre, brings you the world premiere of Nkoli: The Vogue-Opera.

Imagine it’s the 13th of October 1990.  Simon Nkoli is leading the first Gay Pride March in Africa, four years ahead of Nelson Mandela’s presidency and South Africa’s first democratic elections. Now picture a classic fashion runway as used in Black Queer Vogueing events. Performers walk the runway, competing in different categories, with song and dance battles. Sometimes it is playful sparring, other times it is all-out-style war.  Large video projections show images of Simon Nkoli;  his letters from prison, Sebokeng township and anti-apartheid protest marches. 

This is Nkoli: The Vogue-Opera about the life and trials of Simon Nkoli, a gay anti-apartheid freedom fighter who was imprisoned for four years in the famous Delmas Treason trial (1985-1988).  Simon Nkoli was at the forefront of the queer liberation movement in South Africa, and if it weren’t for him, South Africa would not have been the first country in the world to explicitly protect sexual minorities.

With a cast of more than 26 top singers, dancers, voguers and musicians the production is highly contemporary in feel with a mix of rap, opera, protest songs and archival audio clips. 

Check out Nkoli: The Vogue-Opera medley mix

Part opera, part vogueing-ball, Nkoli: The Vogue-Opera, is as fierce and fabulous as Simon was. “Think if Hamilton and RuPaul’s Drag Race had a baby in South Africa. That’s Nkoli: The Vogue-Opera!” says S’bo Gyre, co-lyricist. Nkoli: The Vogue-Opera is created and composed by internationally renowned composer Philip Miller, whose recent successes include the soundtrack to the uShaka iLembe score; his collaboration on William Kentridge’s The Head and the Load, and the Reuben T Caluza B-Side concerts with composer Tshegofatso Moeng.  

The show is directed by the award-winning international UK director and screenwriter Rikki Beadle-Blair (known for “Noah’s Arc” and “Stonewall”).  “I have always wanted to work at The Market Theatre. The home of protest theatre in South Africa,” says Beadle-Blair. “Simon Loved glamor, and so we can’t think of a better way to tell his story. To combine his story with vogue-ball culture which is a celebration of possibility, defiance, activism, dance, glamour and escapism.”

Nkoli: The Vogue-Opera has been four years in the making. Its social media campaign is already making waves.  With choreography by Llwellyn Mnguni, costumes by the designer Mr Allofit combined with multi-media projections by South African filmmaker and celebrated video designer, Catherine Meyburgh. Musical direction by Tshegofatso Moeng and produced by Harriet Perlman. It’s a show not to be missed. 

Simon Nkoli is a South African icon, but many people don’t know his story. Nkoli: The Vogue-Opera, changes all of this. Never before in South Africa, has a vogue opera quite like this been imagined. It talks to both opera fans and those who have never been to an opera but regularly attend vogueing nights, balls and drag clubs. 

Next year, it will tour internationally. Celebrate and be part of its birth in Jozi, from 17 – 19 November.  Tickets are available on Webtickets.

Follow @NkoliVogueOpera for more.

Members of the media are cordially invited to the world premiere on 17 November at the Market Theatre.  Please confirm attendance as seats are limited.

For additional details about Nkoli: The Vogue-Opera ticket sales please visit Webtickets and stay updated on social media using the hashtag #NkoliVogueOpera.

For media inquiries, interviews, or press passes, please contact:

Welcome Mandla Lishivha

073-122-5175

wlishivha@gmail.com

Karatara

Multi-award-winning dance-drama reopens The Barney Simon Theatre at The Market Theatre

After multiple successes in the Cape, the lauded dance-drama Karatara makes its way to the newly refurbished Barney Simon Theatre at The Market Theatre for a limited run from 9 November 2023.

The Karatara River runs through the Outeniqua plateau in a beautiful setting amidst agricultural land and forests. It has been, for thousands of years, an integral part of the Outeniqua Khoi-tribe.

On 29 October 2018 the so-called “Knysna-fires” devastated a community and ruined the land leading to more cases of homelessness and poverty. Amidst the media-frenzy accompanying the fires, some corporate companies, politicians and affluent individuals living on the Knysna-heads, appropriated the media attention and used the crisis as an opportunity for personal gain.

Karatara is a deeply personal inter-disciplinary dance-drama that deals with the loss of family, home, community and land. It looks at the complex racial and social politics of the area around the Karatara River and explores the role and power of the media. Through the beautifully crafted production, the audience see a family struggling to make sense of an atrocity amidst the opportunism and greed others find in a tragedy.

The theatre piece has been described as “a sensory experience where raw talent has been honed to professionalism”. It is an emotional take on the inferno that devastated a community and claimed seven lives and where hundreds of homes were destroyed.

Six years on from the tragedy, questions sadly remain unanswered. The consuming fire exposed the fissures within the community along racial and class lines. The lackluster response of the media to the endemic problems faced by the community, including homelessness and food scarcity, and the opportunistic response by the elites in society have not helped the situation.

The ownership of the land is divided between the Western Cape Province and the National Department of Public Works. This dual ownership and the separate planning of settlement programs, makes land reform projects complicated. This is largely to the detriment of the indigenous people whose direct descendants live next to the Karatara River.

Karatara debuted at the Klein Karoo Nasionale Kunstefees (KKNK) in 2022 where it won Best Debut Production. It has gone on to successful runs at Woordfees, The Baxter Theatre, and most recently a short run in Kynsna itself. It has won a Fiësta award for Best Design, and earlier this year it won two Fleur Du Cap awards for Best Lighting and Best Sound Design.

This theatrical treatment and style of the work, with its restrained staging that puts the focus on the cast and storytelling, is a fitting work to reopen the Barney Simon Theatre after that venue’s complete refurbishment. The late artistic director of the Market Theatre, Barney Simon emphasized the role of storytelling based on truth and an honest aesthetic that never clouded the emotional and socio-political weight of a work. It is befitting that Karatara will be the first show to open the newly refurbished Barney Simon venue at the iconic struggle theatre.

The team behind this award-winning production is lead by director, Gideon Lombard, and includes actor/dancer/writer Shaun Oelf and writer Wilken Calitz. The Knysna local Oelf has won many accolades for his stage work, including the Baxter Theatre Artist of the Year Award in 2014. Together with fellow dancer Grant van Ster they founded the Figure of Eight Dance Collective (F08) in 2014. Dean John Smith (Suidooster) completes the cast, alongside Grant Van Ster and Shaun Oelf.

Calitz is a writer from Cape Town who holds a MA (Creative Writing) from the University of Cape Town (UCT). He also did a Masters in Music (MMus) from the Stellenbosch University. The creative was nominated for 6 Fleur du Cap theatre awards in 2015, including for best new South African text for his paly 2092: God van klank. The play bagged the 2013 outstanding drama production at Woordfees. His debut novel Swart swaan was published by Penguin Random House in 2020.

Karatara is an opportunity to see a poignant tribute to acts of resilience and remembrance, told by an outstanding cast and creative team. The three week run ends 26 November.

The Market Theatre acknowledges the generous support of the Eyesizwe Mining Development Trust, whose funding has made this production possible.

Tickets through webtickets, or via The Market Theatre’s website (markettheatre.co.za)

ENDS

For media enquiries contact Lusanda Zokufa (Market Theatre Brand and Communications manager) at lusnadaz@markettheatre.co.za or 072 367 7867. For block bookings and special discounts contact Anthony Ezeoke at anthonye@markettheatre.co.za or 083 246 4950.

Paint the house pink!

Paint the house pink!

By popular demand, House of Pink is back at the Market Theatre for 5 performances only. Volume 3 promises to be unforgettable, with fun, music and great entertainment in the mix from 26 October 2023.

This third edition of the gender-bending popular drag show is directed by Lebohang Toko.

The Queens take us through a journey of the ever evolving stages of what we today know as The culture of Drag

The show pays homage to a rich and storied history of drag performance that has captivated audiences worldwide for decades. Drag performance, with its roots dating back to the late 19th century, has evolved into an electrifying art form that transcends gender norms and celebrates diversity, self-expression, and empowerment. From the glamorous, groundbreaking performances at legendary venues like the Stonewall Inn in the 1960s to the mainstream popularity of reality TV competitions in recent years, drag has become a powerful symbol of resilience and LGBTQ+ pride.

House of Pink Volume 3 is an affirming continuation of this legacy, featuring a talented cast of Johannesburg-based drag artists who will mesmerize, inspire, and entertain a broad range of audiences with their artistry and charisma.  

Speaking on the side-lines of the first iteration back in 2021, Toko said, “Celebrating Pride Month with House of Pink is an ode to the LGBTQ+ community… we have the right to express our lives however we please without anyone’s permission to exist.” More recently he adds, “As we mince forward toward another Season of House of Pink at the Market Theatre, from us to you we say, come celebrate Pride month with us. Come be apart of us. Come learn and be one with us.”

The production is celebratory in tone. It’s a fun way of looking at the hopes, dreams, and ambition of LGBTQ+ experiences. Music, dance, and bold costumes take centre stage, championing resilience in the face of challenges.

In addition, The Market Theatre sees this production as another opportunity to proactively foreground the queer community’s performers and theatre practitioners on a mainstream stage, which many have for too long been excluded from. It promises Joburg audiences an unforgettable, spectacular time in the theatre, featuring exceptional drag queens.

Brace yourselves for 5 performances (including  matinees on Saturday and Sunday) of fierceness. Get ready to enjoy a world of positive affirmation as House of Pink Volume 3 takes the stage, pushing the boundaries of what drag can be.

Show dates and times:

26 October 2023 at 7pm

27 October 2023 at 7pm

28 October 2023 at 3pm

28 October 2023 at 7pm

29 October 2023 at 3pm

Tickets start from R150 per person and there are special prices for groups. Tickets available through Webtickets.

For media queries please contact Lusanda Zokufa – Brand and Communications Manager  at 072 367 7867 or lusandaz@markettheatre.co.za

For bookings and special discounts contact Anthony Ezeoke at (011) 832 1641 ext 203 or 083 246 4950.

ENDS

 Windybrow Arts Centre’s Inaugural Spelling Bee to Ignite Literacy and Learning in Inner-City Johannesburg 

Windybrow Arts Centre’s Inaugural Spelling Bee to Ignite Literacy and Learning in Inner-City Johannesburg

On Saturday, 30 September, the Windybrow Arts Centre, in collaboration with Camp I Am and Nando’s, is set to host its first-ever Spelling Bee competition for schools in inner-city Johannesburg. This exciting event will bring together thirty-seven Grade 7 learners from IH Harris Primary School, Mahlasedi College, New Model Private College, and participants of the Windybrow’s Literacy and Homework Support Programme to showcase their spelling prowess, compete for prizes, and earn the esteemed title of the city’s best speller. The Spelling Bee is a highlight of the Centre’s Literacy and Homework Support Programme, designed to empower local youth with critical language skills.

Connecting Through Literacy and Art

The Windybrow Arts Centre is a hub for connection and curiosity, dedicated to nurturing the talents and inquisitiveness of children and young adults. Through innovative programs rooted in best practice methodologies, the Centre fosters literacy skills and inspires the youth through the arts, driving positive social change in the community.

@TheMarketTheatre ·
markettheatre

Empowering Youth Through Spelling

Gerard Bester, Head of the Windybrow Arts Centre, says the Spelling Bee marks an exciting and novel opportunity for local learners – “many of whom have never participated in such an event, and a fun way for them to develop essential skills”. Nando’s Benmore Gardens Branch Manager, Collen Nxumalo, a proud alumnus of Hillbrow Theatre, wanted a space at the Windybrow Arts Centre to hold a spelling bee, and Bester immediately responded: “we want to partner”! Nxumalo, a committed advocate for children and youth of the neighbourhoods surrounding the Windybrow Arts Centre wants to “offer learners in Johannesburg a stage to showcase their remarkable spelling abilities”. Bester reconnected with Kai Crooks-Chissano, Executive Director of Camp I Am, a youth educational program. She worked with the Department of Basic Education to launch the national Spelling Bee in 2015, and has supported district, provincial and national competitions. Crooks-Chissano mentored the Windybrow Arts Centre, and crafted the challenging wordlist, which will remain a secret until an hour before the competition. “A Spelling Bee is a great way to ignite a passion for spelling, which serves as the gateway to reading and writing” said Crooks-Chissano. She added that “participating in the competition boosts learners’ confidence and competitive spirit, enhancing their self-esteem as they perform in front of an audience.” With a few days to go, Bester enthused “may the best learner win!”

Countdown to an Educational Showdown

Event Details

Date and Time: Saturday 30 September 2023, at 10:00 a.m.

Location: Windybrow Arts Centre, corner Nugget & Pietersen Street, Doornfontein, Hillbrow

Media Inquiries: Aroma Lebooa aromal@markettheatre.co.za Cell: 079 771 1416 /011 832 1641

OCTOBER AT THE MARKET THEATRE LABORATORY

OCTOBER AT THE MARKET THEATRE LABORATORY

The Market Theatre Laboratory hosts an exciting October programme at the Ramaloa Makhene Theatre. Here’s what you can expect:

01 October: BRUSHES and BOTTLES

Lab alumni Siphesihle Gcebile Fakude will host her very first BRUSHES and BOTTLES event at 13h00 in our Sarafina rehearsal studio. A paint and pour affair, where you can step into your creativity with colour, wine, laughter and pure delight.

Tickets cost R300 per person and is inclusive of painting materials, 2 glasses of wine and snacks.

For ticket bookings visit webtickets.

4, 5, 6 & 8 October: BIG COMEDY LIVE FEST 2023

Joburg audiences should brace themselves! The BIG COMEDY LIVE Fest features a lineup of pivotal underground gigs that keep the comedy scene alive – all brought to the same festival and stage.

  • Wed, 4 October at 7pm : “UNTOLD! The Bigger Story”
  • Thurs, 5 October at 7pm : “Women Who Kill”
  • Friday, 6 October at 7pm : “Shakers Comedy Extreme : Borderline Offensive”
  • Sunday, 8 October at 3pm : “Phillip Dikotla – Killing”

Tickets are available at R200 per programme, and at the door for R300 per programme.

For ticket bookings visit webtickets.

11 – 14 October: 4 CUPS

4 Cups, written and directed by Leanetse Seekoe, is a montage of monologues told by four women who share their experiences of being black women in South Africa. In this play, the girls learn to become women in a world of traditional patriarchy and racism.

All shows start at 19h00 and on Sunday 15h00. Tickets are available at R100 a ticket.

For ticket bookings visit webtickets.

20, 21 & 22 October: SUITCASE PIECES

The 2023 second year students of the Market Theatre Laboratory are all packed up and ready to travel! As the end of year nears, they are in the process of creating what will be their first professional works that can easily fit into a single suitcase.

Suitcases Pieces are an invitation to witness some newly devised and adapted works ready to be taken on the road. Experience these unique theatrical works as graduating students prepare for their new journeys as professional artists.

Look out for further details which will be released soon.

26 October: THEATRE THINK TANK   

This third and final instalment for the year, curated by Nondumiso Msimanga, will host The Beloved Collective. Nondumiso’s curated programme will invite us all to look deeper into what it means to be a vulnerable, living artist in South Africa and provoke us to question the risks of the exposed artist.

The Theatre Think Tank instalments, funded by the National Institute for the Humanities and Social Sciences (NIHSS), serve as an exploration and reflection on the wealth of knowledge enacted, embodied and performed by practitioners in the arts and culture field. They are designed with the intention to organise this knowledge and make it accessible to the greater community.

Save the 26 October in your calendar!

Tickets to be released on webtickets soon look out for further details.

28 October: THE WRITING ON THE WALL

The Writing on the wall is a poetry showcase that aims to put up the best spoken word artists on stage, to present their 30 – 45 minutes showcase with the theme “The Writing on the wall”. Curated by Siyambonga Mdubeki and Masai Sepuru, this upcoming performance will be presented by Nue Sam.

Show begins at 15h00, tickets are available at R150 a ticket.

For ticket bookings visit webtickets.

Pink Tax 

Pink Tax

Johannesburg, Gauteng – Theatre enthusiasts rejoice as our acclaimed production company, LWuD Theatre, proudly presents Pink Tax: An Epic Journey, an extraordinary theatrical experience set to captivate minds and move hearts. This groundbreaking production will take the stage at The Market Theatre from the 18th of October to the 22nd of October, and we’re inviting audiences on an unforgettable journey. Pink Tax promises to transport spectators through time, space, and emotion, merging the realms of reality and imagination. The production showcases the brilliant artistic vision of our director Noxolo Bhengu, who has carefully curated every element to create an aweinspiring production. Pink Tax is an intricate blend of physical and epic theatre.

Pink Tax written by Noxolo Bhengu delves into the harrowing reality of human trafficking by pulling back the curtain to the dark underbelly of this modern-day slavery. In a city called Ntozonke [everything], it’s safe and peaceful. Neighbours coexist in harmony and nothing out of the ordinary happens. However, the residents are unaware that it’s the breeding ground for syndicates who lurk in street corners and buildings, watching and plotting, waiting to make their move. They prey on the impoverished by promising them false employment, they lure naive individuals into traps disguised as free access to living lavish lifestyles. They manipulate people who’ve surrendered their trust as lovers and family members.

When victims are uprooted from their homes, they’re taken to a strange place called Nantsika [thing] where they’re subjected to unpaid labour and other atrocities. Nantsika is an isolated and dilapidated toxic wasteland that is the source, transit, and destination for the third largest crime in the world.

Noxolo Bhengu’s gripping play uncovers a society where people have replaced objects as commodities. In this underworld, wealthy voyeurs sit in camera rooms placing their highest bids as they fight over the most sought-after purchase.

Pink Tax unveils the psyche of exhausted and distraught human beings on a quest for freedom. We witness how victims take a step towards reclaiming a sense of agency. They muster the strength to face an uncertain future while battling to accept their present reality as a result of their attachment to and yearning for the past.

We are delighted to showcase our commitment to supporting and nurturing emerging talent as this production features a talented ensemble cast of exceptional newcomers alongside seasoned performers, displaying the diversity of artistic voices in our vibrant theatre community.

LWuD Theatre has built a distinguished reputation in China for its commitment to excellence in theatrical productions, and Pink Tax is no exception. Our mission is to bring thought-provoking, emotionally gripping, and visually captivating theatre to our audience, and we are confident that this performance will exceed all expectations.

We cordially invite theatre enthusiasts, discerning critics, and the general public to join us for this unforgettable experience. Tickets for Pink Tax are available for purchase starting on the 19th of September on webticket.co.za We encourage early bookings as this production is anticipated to be a sell-out success.

For more information, interviews, or press passes, please contact Noxolo at 0739949320 or theatrelwud@gmail.com. High-resolution production images and additional press materials are available upon request.

About LWuD Theatre:

LWuD Theatre is a renowned production company committed to presenting captivating theatrical experiences to audiences globally. LWuD was created in 2017 in Shanghai, China. It has produced 3 original plays: Unpacking [performed in Nanjing and Shanghai] Pink Tax [performed in Shanghai and soon in Johannesburg] and Boxed, a children’s play which was performed in Nanjing and Ningbo. LWuD also provides creative drama workshops, After- school musical theatre programs, Theatre in Education workshops, industrial theatre, and summer theatre programs.

By upholding the highest standards of creativity, innovation, and artistic integrity, our productions continue to receive critical acclaim and engage audiences with raw honesty and authenticity.

TEXT ME WHEN YOU ARRIVE

TEXT ME WHEN YOU ARRIVE

Text Me When You Arrive is a powerful, satirical and physical exploration of the plight of the everyday South African woman through the lens of a playful YouTube channel.

The three ladies explore how women navigate their way through the “rules” set by rape culture, patriarchy and social media in her daily life on her seemingly impossible mission to not get raped and killed in South Africa.

The play puts to trial the social media trends around gender-based violence and questions the practicality of such hashtags and the ability of the digital space to exert tangible change in the scourge of gender-based violence in South Africa. Using physical theatre and satire, the one hour piece consistently engages its audience in order to create space for all of use to realise where and how we relate to the “rules” that “keep women safe”

CREATIVE TEAM :

Text Me When You Arrive was devised and written by the cast Aaliyah Matintela, Sibahle Mangena and Thuli Nduvane. The show is directed by Sinenhlanhla Mgeyi. MoMo Matsunyane and Sinenhlanhla Mgeyi have served as a Mentors & Contributors on the production.

A BRIEF HISTORY

A workshop presentation of the play was commissioned in 2019 as part of the Market Theatre Laboratory “30 Years of the Lab” alumni festival. The piece has enjoyed successful runs at the Ramolao Makhene Theatre, the POPArt Theatre and at festivals, schools and corprate

venues. However, the piece still has the capacity to reach and change audiences with its strong and provocative message.

Through the various iteration of the work, the producers have observed that the piece has the power to engage audiences young and old, and to spark conversation on the topic of gender based violence. The identified best audience for this show is young people between the ages of 16 – 25.

LINKS & PRAISE FOR THE WORK:

POPArt Run (Audience responses) : https://archive.popartcentre.co.za/show/JAN_02_20/ Theatre Times Review : https://thetheatretimes.com/text-me-when-you-arrive-is-witty-punchy- and-hard-hitting/

Citizen Review : https://www.pressreader.com/south-africa/the-citizen-gauteng/20200130/ page/17

Artsvark review : https://artsvark.co.za/the-harshtag-realities-of-women-in-south-africa/

CAST & CREW BIOS THULISILE NDUVANE (Cast)

Thuli Nduvane, is an Actress and Theatre-Maker from Johannesburg. Although she’s always loved theatre, she only began to pursue a career in the Performing Arts at the Market Theatre Laboratory after completing her degree in Political Science and International Relations at the University of Pretoria.

After graduating from The Lab in 2018, she joined the resident youth theatre company; Kwasha! Under the Market Theatre and Windybrow Arts Centre. Kwasha! walked away with two Awards from Standard Bank: a Bronze Ovation, as well as a Best Ensemble Ovation for their production Currently (G)old (dir. Aalliyah Matintela & Sinenhlanhla Mgeyi). Later that year, the company, directed by the TheatreDuo, staged Eugene Ionesco’s Rhinoceros in collaboration with the French Institute (IFAS).

She co-devised the Naledi Award nominated satire, Text Me When You Arrive. The show highlights issues around plight of women living in the rape capital of the world as well as issues of GBV in the nation.

With a few commercials under her belt, Thuli shot her first shortfilm with Heartlines & Quizzical Pictures for SABC in 2022. She played the lead role of Melodi in the Fathers Matter film ‘Melodi’.

She currently works as a talent agent at Canvas Casting Artist Management based in Johannesburg.

AALLIYAH ZAMA MATINTELA (Cast)

Aalliyah Zama Matintela is an Actress, Theatre Maker, Director and playwright from Johannesburg. She is a graduate from the Market Theatre Laboratory, where she got a chance to learn different techniques and grow her skills in the craft. She directed and performed in various Community Theatre festivals and won stunning awards for her work.

Highlights of her career include performing in the Africa Day Spectacle in 2017, directed by Omphile Molusi as well as being cast in a supporting role in ’21 Wandah’ directed by Mwenya Kabwe in 2017.

In 2018 she was cast in a supporting role in the play ‘Platitudes’ directed by Nondumiso Msimanga. She co-directed the play “Marose”, which won Best Student Production in National Arts Festival 2018. She also directed “Currently (G)Old!”, which won a Standard Back Ovation at the National Arts Festival, and which was nominated for 3 Naledi Awards in 2019. In 2021 she

performed in Kgaube written and directed by Thabang Gabogope and “Text Me When You Arrive” which she co-created. She’s also done work on television, stirring in Adverts such as Consol and Chicken’Lickin.

SIBAHLE MANGENA (Cast)

Sibahle Mangena born and raised in Johannesburg. She is an actor, writer, and theatre maker and Naledi nominated director with an interest in body movement and text. She graduated from the Market Theatre Laboratory in Practical performance and theatre making in 2017. Her focus has always been on experimentation with the grotesque, play, emotion, physicality and vocal preparation as principles of embodied performance. Her main work is creating new work through devising, workshopping and improvisation.

Her repertoire of work includes several works such as, Umsebenzi ka Bra Shakes (The work of Shakespeare), Umthandazo, Keys to a Great Poetic Game, Houseboy by William Kentridge, Mandla Mbothwe’s HOW |Showing the Making created as part of different programs at The Centre for the Less Good Idea and Naledi nominated Text me when you arrive.

SINENHLANHLA MGEYI (Director)

Sinenhlanhla Mgeyi (28) is a theatre maker, director, dancer, choreographer and an actor who graduated from the Market Theatre Laboratory in 2017.

He began his performance training under the guidance of Howard ‘Brother’ Dladla at the Zase Laduma Art Centre in Mpumalanga. Following working at community art centres around the country, he joined the Market Theatre Laboratory.

Highlights of his performing career include roles in “Lampedusa Beach” (dir Raissa Bringi, Italy), “The Love of the Nightingale” (dir. Nondumiso Msimanga) and the award winning touring production “Hani : The Legacy” (dir. Leila Henriques). He also performed in “Rhinoceros” (dir. theatre Duo.)

As a director, he has been part of several award winning productions, including the winner of the Hillbrow Inner City Schools festival production “Thwala”, which he co-directed with Gcebile Dlamini, the National Arts Festival Student festival award winner “Pop I Cherri”, co-directed by Tumeka Matintela as well as “Currently (G)Old” which he co-directed with Aalliyah Matintela that won Best ensemble and Bronze ovation award in Makhanda National Art Festival.

Following his graduation from the Market Lab, he toured to the United Kingdom where he took part in a collaborative co-production “Encountering the Other” under the guidance of Clara Vaughan and Jaques de Silva. He then joined the Kwasha! Theatre Company, where he has been part of major productions such as “Error SA Comedy” (dir. Christopher D. Betts) and “The Little Prince” (dir. Mwenya Kabwe and Clara Vaughan). His currently a trainer at the Market Theatre Laboratory.

KHETHUKUTHULA JELE (Stage Manager)

Khethukuthula Jele is a performer, writer and administrator from Newcastle, KwaZulu Natal. She trained at The Market Theatre Laboratory where she graduated in 2019. During her school career, she had the privilege of working with directors such as Andrew Buckland, Mwenya

Kabwe and Mahlatsi Mokgonyana, to name a few. She was part of the devising cast of Le

Journal, which won the best actors and best writing award at the 2019 National Arts Festival Student Fringe. Professionally, Khethu has worked as a stage manager for the production Text Me when You Arrive and as a performer and brand ambassador for Tshepo 1Million.

An overall dreamer at heart, she chooses to focus her career and energy toward storytelling, embodying shared experiences and producing alternative worlds and realities that inspire hope and make us a better people.

Mwana Ku Chema 

Mwana Ku Chema

A Critically Acclaimed Play”Mwana KuChema” Returns to the Stage Following Successful Run At The 1s and 2s Theatre Festival.

After a resounding success at the 1s and 2s Theatre Festival in July, “Mwana KuChema”is set to captivate audiences once again as it returns to the spotlight at Market Theatre.

The play,which made its debut to widespread acclaim at the Tembisa Theatre Festival in February 2023,is an artistic masterpiece that delves into the intricate journey of self-discovery within the context of a family’s well-guarded secret.

Written and directed by the immensely talented Linda Wa Ka Shabangu.

“Mwana KuChema” is a compelling narrative that transcends time and space,interweaving the past,present,and future.

The play serves as a powerful exploration of forgiveness and the quest for healing,resonating not only within individuals but also echoing through our society,communities, and homes.

Through its poignant storytelling,”Mwana KuChema”raises thought-provoking questions about the challenges of existence in an increasingly deteriorating environment.

The play offers a searing commentary on humanity’s struggle to coexist within the confines of township life,shedding light on the fractures within family structures,the depths of self-destruction, and the enduring power of parental love and guidance in black communities.

At the heart of “Mwana KuChema”is the heart-wrenching journey of Tswarelo,a character whose path of self-destruction and eventual self-discovery grips the audience’s emotions.

The play navigates through Tswarelo’s pursuit of answers to life’s most pressing questions,all while attempting to escape the harsh realities that surround her.

“Mwana KuChema”is a theatrical experience that transcends age barriers,offering a profound reflection on the nature of townships and the crucial role of parental guidance in shaping our understanding of the world.

Audiences ranging from teenagers to adults are invited to witness this extraordinary production,which promises to leave an indelible mark on hearts and minds alike.

For more information about “Mwana KuChema” and ticket details, please visit www.markettheatre.co.za.

Stay updated on the latest news by following Linda Wa Ka Shabangu’s official Facebook page.

Tickets are also available for purchase at webticket.co.za or directly at the door of the Market Theatre.

Don’t miss the opportunity to experience “Mwana KuChema” live on stage.

Date: 20-23 September 2023

Venue: Market Theatre

Ticket Price: R100

For media inquiries, interviews, and press passes, please contact:

Linda Wa Ka Shabangu

Instagram:waka_shabangu

Facebook Page:Linda Wa Ka Shabangu

Twitter:@wakashabangu

Blog:lindawakashabangu.blogspot.com

YouTube:@lindawakashabangu

A Marry Little Christmas

A Marry Little Christmas, a new South African Comedy by Greg Homann

The Market Theatre and How Now Brown Cow Productions are proud to announce their partnership on a brand new South African comedy, A MARRY LITTLE CHRISTMAS by Greg Homann.

This end-of-the-year offering is set to be a highlight of Johannesburg’s festive season as it takes to the John Kani stage from 29 November to 24 December 2023.

A MARRY LITTLE CHRISTMAS was commissioned out of How Now Brown Cow’s Writer’s Collective during the 2020 Pandemic shutdown. It was written by Greg Homann before he took on the appointment as the Market Theatre’s Artistic Director in January of this year. This premiere production of the laugh-a-minute play will be directed by multiple award-winning Charmaine Weir-Smith featuring an impressive cast of nine.

Owner of How Now Brown Cow Productions, Julie-Anne McDowell says, “How Now Brown Cow is thrilled to see the first of The Writers’ Collective plays by Greg Homann go from the page to the stage.  We are proud to present a brand spanking new South African festive offering in co-production with The Market Theatre on the John Kani stage with some of the best loved local talent”.

This hilarious new South African play is set on an unnamed golf-estate somewhere on the north-west edge of Johannesburg and promises to be the heart-warming holiday comedy you need at the end of this year. It’s story about family, love, misunderstandings, and the topsy-turvy nature of following cultural practices will lift spirits and leave you smiling.

Arnold Hartmann is 45 and three quarters. He has big plans to propose to Natalie Cloete before hosting the perfect ‘traditional’ Christmas lunch to unify his and her family. But a nightmare has caused him to oversleep, and before he can build up the courage to pop the question, the two families have started to arrive …

Homann says, “This play has been a few years in the making, with the initial idea for it dating back to an animated festive lunch with my own family. Although not based directly on my family, the roots of it are deeply connected to my own families dynamics and antics.” 

The sensational cast features some of South Africa’s best loved talent and stars, Antony Coleman (Houseboy, Borderline) and Kim Cloete (Joanie Galant – Hulle) return to The Market as the leading couple at the centre of the comedy. They are joined by James Borthwick (Amadeus, Uncle Vanya), Judy Ditchfield, (6 Dance Lessons in 6 Weeks Menopause The Musical), Louise Saint-Claire (My Name is Asher Lev, Pterodactyls), Ilse Klink (The Amen Corner, Mamma Mia), Roberto Pombo (Charlie and the Chocolate Factory, The Epicene Butcher), Zolani Shangase (West Side Story, The Color Purple), and Trevor Lynch (In the Blood, Hunters Gatherers).

Come and start your end-of-year festivities at The Market Theatre this year!

Tickets range in price from R150 to R250. For your not-to-be-missed-end-of-year outing, book via webtickets or call for discounted block bookings.

To make block bookings and discounts please contact Anthony Ezeoke 011 832 1641ext 203/ 083 246 4950

NOTES TO EDITORS

GREG HOMANN – Writer

Greg Homann is the Artistic Director of the iconic Market Theatre. He has been a leading figure in the South African theatrical landscape for well over a decade. His influential work as a director, dramaturg, and playwright includes award-winning and imaginative theatre across a wide range of forms. Amongst his 25 professional directing credits are eleven world premieres – six of them being new South African plays.

Greg’s produced work as a writer to date include seven plays, a co-written musical, and two adaptions of operas into pocket-size versions for small casts.

His most celebrated plays include A Voice I Cannot Silence which he co-wrote with Ralph Lawson, and which enjoyed a national tour around South Africa and won Best New South African Play of 2015; his Standard Bank Young Artist Award play, Oedipus @ Koö-Nú!; and the Ovation Award-winning One Woman Farce.

In June 2022 he premiered a new verbatim-based play called In Our Skin with the Midlands Arts Centre (MAC) in Birmingham. His most recently staged work is a new version of Eugène Ionesco’s play, The Lesson which he adapted and directed under commission from The Market Theatre in 2022.

CHARMAINE WEIR-SMITH – Director

Charmaine is an award-winning actress and director.  She won the Vita Award for Best Supporting Actress for her portrayal of Ophelia in “Hamlet”. She played Daisy in “The Young Visitors” – Vita Nomination for Best Actress, Agnes in “Agnes of God” and Em in “A Story of an African Farm” to name a few. Charmaine received the Naledi Award for Best Actress in a Comedy for “2 4 The Price of 1”and for Sylvaine Strike’s “Pregnant Pause” a Naledi Award Nomination for Best Actress. For six seasons, Charmaine played Shanell in Paul Slabolepszy’s “Suddenly the Storm” for which she was nominated for Naledi and Fleur du Cap awards.

Charmaine’s directing credits include: The Vita nominated musical “I Love you, You’re Perfect, Now Change”, “Annie” – Vita Award for Best Musical Production, “Big Band Blast” – Naledi Award for Best Musical, “Captain Entertainment” – Naledi Award Best Revue, “Tale of the Allergists Wife” and “Glorious”. She directed Nick Boraine in “Sic” which toured South Africa and had a successful off-Broadway run in New York. She directed Athol Fugard’s “The Train Driver” for The Market Theatre – Naledi Award for Best Director and in 2022/3 “The Beauty Queen of Leenane” for How Now Brown Cow Productions, winning 5 Naledi Theatre Awards including Best Director for Charmaine and Best Production. In 2023, Charmaine directed two sold-out seasons of “Nothing But The Truth” for The Theatre on the Square.

Charmaine’s television and film career has spanned more than two decades with lead roles in Isidingo, Binnelanders and Scandal and in the UK ITV’s production of “Wild at Heart” and Showmax’s “The Girl from St Agnes”.

Her latest film credits include Netflix’s “Jadotville” and “The Jakes Are Missing”.